From Fast Times at Ridgemont High to Dirty Dancing, you can count the number of sympathetically-depicted cinematic abortions on one hand—leaving your other hand free to page through yet another one of those think-pieces about how filmmakers aren’tscared of showing abortions in movies, it’s just that abortions aren’t much of a plot line and audiences just don’t want to see abortions depicted on film. Oh, of course! Thanks for clearing that up, Hollywood masterminds! We’ll be sure to tell everyone who’s ever had an abortion that their experience has less cinematic merit than the 149thParanormal Activity sequel.
Today, I conclude my comparative review of South Park and Family Guy. This is the last part of a four-part series (one, two, three for your convenience) called the Offensive Olympics. These shows are both notable for their propensity to rely on political shock value and the oppression of marginalized bodies to make their jokes, so I am investigating which is worse, and on which axis.