I've got 99 problems with American television, and the rich are one. We have lots of shows about rich people—in fact, we love shows about rich people. With Gossip Girl, The Millionaire Matchmaker, Revenge, Real Housewives of _______, Pregnant in Heels, and even the beloved returning Arrested Development (along with many others), the wealthy control about as much of the TV lineup as they do they the net worth of the United States, and the rest of America watches to see how they scheme, how they dress, how they find love, how they have babies, and—usually—how awful they are.
Americana artist Gillian Welch has always included southern Christian imagery in her work. Though not native to the South, her music is at its most comfortable when it explores the tragedy and violence of working-class survival in the region. Welch and partner David Rawlings write and record sparse songs unlike any others. In part, this has to do with Rawlings' masterful guitar work, but it also stems from Welch's unuusal singing voice.
See "The Way it Goes" from new album, The Harrow and the Harvest (lyrics here):
Alright, so, we are now halfway through my stint blogging here at Bitch, which, by and large, has been wonderful. But there is an important aspect to writing about live theater, one I mentioned briefly in my opening post, that I think I need to expand upon.
As well as showcasing the quintessential Spinster Detective, the Miss Marple adaptations have plenty to say about England's shifting class structures in the decades after World War II and women's changing roles. It's all played out in microcosm in the fictional village of St Mary Mead.
When over 200 press outlets worldwide covered the street harassment hearing in New York City, the photo that accompanied the popularly distributed article depicted four construction workers watching a woman walk by. Despite the fine print reading that none of the construction workers in the picture were actually harassing women, their guilt is implied in the composition of the image, the fact that its accompanying an article on street harassment, and a widely held stereotype about construction workers' propensities to cat call women. Whether working-class men truly engage in harassing behaviors more than men from other socioeconomic groups is up for debate, but because they're stereotyped as such from the jump, the workers themselves and the women who pass by work sites are taught to expect the men to act that way.
RH Reality Check continues to keep us up-to-date about anti-choice politicians with a profile on Republican maybe-candidate Chris Christie. In the humor category, Colbert has something to say about all this maybe-running business.
Still furious about the New York Times' awful coverage of the gang rape in Texas? So are we, and so are the folks at Bitch Flicks, who talk about rape culture, the media, and the defensive chorus of "You just want to be offended!" (via Gender Focus)