class

But most of the time, when Tyra is talking about the contestants' speech, she’s talking about their accents.  And when she’s talking about their accents, she’s talking about class. 

I’ve got 99 problems with American television, and the rich are one.  We have lots of shows about rich people—in fact, we love shows about rich people.  With Gossip Girl, The Millionaire Matchmaker, Revenge, Real Housewives of _______, Pregnant in Heels, and even the beloved returning Arrested Development (along with many others), the wealthy control about as much of the TV lineup as they do they the net worth of the United States, and the rest of America watches to see how they scheme, how they dress, how they find love, how they have babies, and—usually—how awful they are. 

Americana artist Gillian Welch has always included southern Christian imagery in her work. Though not native to the South, her music is at its most comfortable when it explores the tragedy and violence of working-class survival in the region. Welch and partner David Rawlings write and record sparse songs unlike any others. In part, this has to do with Rawlings' masterful guitar work, but it also stems from Welch's unuusal singing voice. 

See "The Way it Goes" from new album, The Harrow and the Harvest (lyrics here): 

Alright, so, we are now halfway through my stint blogging here at Bitch, which, by and large, has been wonderful. But there is an important aspect to writing about live theater, one I mentioned briefly in my opening post, that I think I need to expand upon.

As well as showcasing the quintessential Spinster Detective, the Miss Marple adaptations have plenty to say about England's shifting class structures in the decades after World War II and women's changing roles. It's all played out in microcosm in the fictional village of St Mary Mead.

When over 200 press outlets worldwide covered the street harassment hearing in New York City, the photo that accompanied the popularly distributed article depicted four construction workers watching a woman walk by. Despite the fine print reading that none of the construction workers in the picture were actually harassing women, their guilt is implied in the composition of the image, the fact that its accompanying an article on street harassment, and a widely held stereotype about construction workers' propensities to cat call women. Whether working-class men truly engage in harassing behaviors more than men from other socioeconomic groups is up for debate, but because they're stereotyped as such from the jump, the workers themselves and the women who pass by work sites are taught to expect the men to act that way.

Let's talk about Bounce. Specifically, let's talk about the "Sheets or Bar" campaign, the only ad series I've seen lately that can compete with the obnoxiousness of Virgin Mobile's stalker humor.

Another week, another bunch of thought-provoking articles. Here's some of what we've been reading:

• ColorLines celebrates the U.S.' first integrated all-female band.
• Also at ColorLines, Kai Wright reflects movingly on the still-far-off mountaintop MLK described.
• Jessica Valenti talks about the glorification of basic fathering in The Daily.
• Ms. and NPR each report and discuss Joe Biden's address of sexual assault in schools; what did YOU think?
• Bitch contributor Sady Doyle manages to write smartly (while being, as she puts it, "not-just-totally-mean") about Phyllis Schlafly's influence at Global Comment.
• Bitch Flicks lends their feminist snark to an analysis of Total Film's so-called "40 Greatest Movie Posters" list.
• Futrelle unpacks comic artist Scott Adams' recent douchery—and his bizarre attempts to fix the situation—at Feministe and man boobz.
• Bitch contributor s.e. smith blogs at this ain't livin' about the ageist implications of a younger Miss Marple.
• Vulture goes over the vitriol around Spider Man: Turn Off the Dark and actor Harry Lennix's piece asking why only Julie Taymor is trashed for a show many hands put together.
• In the same vein, 90s Woman looks at the pop phenomenon "Friday" and wonders "WTF is so scary about an ambitious thirteen-year-old girl?" (via feministified)
• Chloe at Feministing speaks out about last week's Slutwalk and the victim-blaming such events protest.
• Greenier at RH Reality Check talks about "Why Insurance Coverage for Abortion Matters;" the piece was then picked up for AlterNet.
• Bad news: Canadian blog Gender Focus is shutting down. At least we'll have Jarrah's upcoming board game projects to follow!
• Liz at Our Turn comments on documentaries about masculinity.
• At Racialicious and Muslimah Media Watch, Diana shares her feelings on the CNN special Unwelcome: The Muslims Next Door.
• On HuffPo, Payne explores how derogatory language feeds classism.
• Miss the queer teen drama South of Nowhere? Heaven knows I do! AfterEllen interviews star Mandy Musgrave about playing lesbians and her new webseries, Cowgirl Up.
• In the <3 files: "Family Dog Keeps Missing Baby Alive Overnight," from Jezebel.

Your turn to share!

When considering this series' central question about Oprah: Why does she get under so many people's skin? It comes down to the narrative.

Meanwhile, in the land of blogdom...

• Tiger Beatdown's Garland Grey reports from SXSW!
• On Salon, Bitch contributor Page McBee talks about not fitting into the gender binary.
• At Racialicious and Bold as Love, Rob Fields explores the limited film-buzz surrounding I Will Follow.
• Ms. and AlterNet look at how budget cuts could affect HIV-positive women.
• Matt Kailey talks about the class dynamics of clothing on Womanist Musings.
• At Trans/plant/portation, Bitch contributor EvMaroon discusses redefining terrorism.
• Helen at Questioning Transphobia reports on some bad reporting regarding the supposed average lifespan of trans* people.
• RH Reality Check continues to keep us up-to-date about anti-choice politicians with a profile on Republican maybe-candidate Chris Christie. In the humor category, Colbert has something to say about all this maybe-running business.
• Still furious about the New York Times' awful coverage of the gang rape in Texas? So are we, and so are the folks at Bitch Flicks, who talk about rape culture, the media, and the defensive chorus of "You just want to be offended!" (via Gender Focus)
• The Drop the I-Word video campaign continues at ColorLines with "I Am... Undocumented."
• Jos at Feministing shares and discusses the LGBT documentary "Always My Son."
• If you're in the San Francisco area, be sure to attend next week's Girl Talk, A Trans & Cis Woman Dialogue, co-curated by Gina de Vries, Elena Rose and Julia Serano!