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Carolina Chocolate Drops

Preacher's Daughter: A Word About Slutwalk, the Carolina Chocolate Drops, and Who Gets to Reclaim Racist Words and Traditions

Music post by Kristin Rawls on October 11, 2011 - 11:51am; tagged blackface, Carolina Chocolate Drops, hyperwhiteness, language reclamation, racism, rape, Sexual Violence, slut-shaming, tradition.

Full disclosure: I have had misgivings about Slutwalk from day one. "Slut" has never been a term used against me. Though the idea of reclaiming the word seems to resonate with many young, white heterosexual women, it is not clear to me that it's something that can unify all women. It felt alienating and exclusionary to me from the start.

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Carolina Chocolate Drops: Good Folk

Music post by Sara Stroo on March 2, 2010 - 6:31pm; tagged b-sides, banjo, Carolina Chocolate Drops, Dom Flemons, folk music, Genuine Negro Jig, Justin Robinson, kazoo, Rhiannon Giddens, string bands.
Carolina_Chocolate_Drops2_resized.jpg
Carolina Chocolate Drops will defy, and redefine, your presumptions regarding the pure power of the kazoo. The trio, comprised of Rhiannon Giddens, Dom Flemons and Justin Robinson, met in 2005 at the Black Banjo Gathering in Boone, North Carolina. The event was dedicated to those who wished to better understand the banjo’s roots in African and African American music and history. Their music is an eclectic and lively mix of fiddle, banjo, kazoo, jug, beat boxing and (literally) the bones. String music finds its American roots in a white Appalachian tradition, and grew from the seeds of slavery for the most part. And yet Carolina Chocolate Drops have taken this seemingly tenuous foundation for an all-black band and made the music distinctly, powerfully their own.
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