The American Girl company leaves many feeling torn between its promotion of pricey consumerism and the dolls' celebration of history and education. One thing is certain though, the story of Felicity and her horse Penny is one that offers hope to the suburban girl—the horseless girl with a wild heart.
Growing up in 4-H, I heard the joke often: girls would rather give up boys than our ponies. When women talk about horses, they often speak of freedom and power, of connectivity and understanding, of trust—often using the same language we use when we discuss intimate relationships with humans.
To celebrate the release of our new Pulp issue, I dredged up a handful of pulpy 1960s bottom-of-the-barrel paperbacks from a Portland vintage store. I'll be bringing three of these long-forgotten titles back to light this week.
Here are a few key words regarding Jim C. Hines's The Stepsister Scheme. Snow White, promiscuous mirror witch. Sleeping Beauty, Middle Eastern assassin. Cinderella, Pregnant Prince-rescuer. Intrigued? I was, and also by the statement given me that this was "Feminist YA fantasy! Written by a DUDE!" when it was given to me. I was not disappointed. C'mon! Princesses with weapons, spells, and babies on board? I'M IN.
Let me start by saying that I'm a Hunger Games gal. I thought that series was the end for me; the top of the bold, brave mountain of perfect Young Adult (YA) literature. I would keep reading YA, I figured, but I would be standing at the top of Everest looking down to do it. How would it get better than Suzanne Collins' frenetic pacing, allusion to contemporary politics, consice, brutal descriptions, gasp-inducing action, and the name Katniss Everdeen? Let me tell you, friends. It could be about a war that has ALREADY HAPPENED IN REAL LIFE, equally terrible to Panem's child slaughter. It could have a female protaginist infinitely more invested in directing her own fate than Katniss was, Collins forgive me. It could still be as tightly wound as a top, as intricately plotted as any good twist-ending requires, and equally stupefying in violence and intrigue. It could contain the names of monarchs and spies, Nazis and codes. It could be Code Name Verity, the best book I've read this year, and the new YA Everest.
Kate Zambreno has had a busy couple of years. In 2010, she published her first novel, O Fallen Angel, followed by Green Girl a year later. Her latest book, the just-published Heroines, is a personal narrative woven with the rich and often overlooked history of a group of modernist women writers she calls "a union of forgotten or erased wives."
Zambreno carries readers through the lives of women like Zelda Fitzgerald, Vivienne Eliot, Jane Bowles, and Jean Rhys, using the lens of their experiences to dissect her own role as an emerging writer and a new wife, and challenging the negative stereotypes around women writing subjectively by doing just that. The result is a brave, enlightening, and brutally honest historical inquiry that will leave readers with an urgent desire to tell their own stories.
Positive images of transgender women in American culture have been few and far between. Television shows like RuPaul's Drag Race and films like TransAmerica have increased visibility of the MTF community over the years, but there is still a lot of progress to be made, and one person who stands to help change that is Brooklyn, New York native Ceyenne Doroshow. Growing up transgender, cooking became her way of escaping the sometimes confusing and harsh realities of her life. Inspired to write her own book after a prison conviction, Doroshow is ready to share her wisdom—and her delicious recipes—with the world.
Our very own Andi Zeisler reviewed Katie Roiphe's new essay collection In Praise of Messy Lives for the Los Angeles Review of Books. As Andi puts it, "Spoiler alert: It annoyed me." Andi's review, however, is the opposite of annoying. You should read it!
I'll admit, I kind of fudged when I said this would be a three-part series about zine artists I love. Honestly, I could probably do a fifty part series on zine artists I love, then publish it as a memoir called Can I Be You? But I'm not doing that, and instead, I'm going to take a few minutes to tell you about something really important. A couple of weeks ago, you might have stopped by the Portland Zine Symposium (or any zine fest anywhere) and thought to yourself "Wow, there are a lot of white people here, where are all the zinesters of color?" Or at least, that's what I was thinking. I scoured the entire space looking for people of color only to find one table all alone, in the back of the warehouse. One amazing table, to be sure,, but I still left wishing for something more. I'd imagine Daniela Capistrano had some similar thoughts when she founded the People of Color Zine Project in 2010 in order to make zines by folks of color accessible, available, and distributable for all, because really, these things can be incredibly hard to find in such white dominated DIY, activist, and artist communities.