According to askmen.com, one way to subtly tell your female partner she's packed on a few too many lbs (you know, besides having a conversation with her about it) is to "Sabotage her chair" by removing some of the slats or screws. That way, when she sits down on the chair and it breaks, you can shame her into thinking it was because she's too fat! It's a win-win! (I am kidding.)
Read more about this Top 10 list (and learn more ways to subtly tell your lady that she's a "grumpy lard-ass") after the jump!
(Oh, and in case it was unclear, the image above is from the askmen.com piece. Thanks, guys!!!)
Amanda Palmer (brains behind Dresden Dolls, among other projects), was recently asked by her record label, Roadrunner, to cut scenes from her video "Leeds United," which features (along with a burlesque club, soccer fans, dancing girls) a few shots of Palmer's.....dunh dunh dunnnnh.....exposed, Bowflex-free tummy! Mr. A&R wanted those shots edited, explaining, "I'm a guy, Amanda. I understand what people like."
Video and follow-up after jump
The Adipositivity Project aims to promote size acceptance, not by listing the merits of big people, or detailing examples of excellence (these things are easily seen all around us), but rather, through a visual display of fat physicality. The sort that's normally unseen.
The hope is to widen definitions of physical beauty. Literally.
BeckyAll names have been changed. has been active in the fat acceptance movement for a good half-dozen years. She attends and organizes awareness-raising events, takes part in her local fat social scene, and fights to end discrimination against fat people with a powerful combination of weary sadness and righteous anger. She wears her weight like well-adorned armor, betraying no sense of regret or shame in her 480-pound body.
“Obesity,” declares Charlotte Cooper, author of 1998’s Fat and Proud: The Politics of Size, “is just a word used by people to medicalize fat.” Extra weight, once considered a genetic short straw, is increasingly characterized as a crisis threatening the physical, political, and moral health of our nation—even as large bodies are becoming increasingly visible in popular culture.
You’ll recognize the female silhouette that leans against the title on the cover of Ariel Levy’s new book, Female Chauvinist Pigs. She’s the girl who in recent years has made the move from the mud flaps of big rigs right into pop culture, gracing trucker caps, baby tees, and gold necklaces as an emblem of sexy, empowered womanhood. Or at least that’s what she’d like you to believe. But Levy doesn’t buy it, and Female Chauvinist Pigs offers her opinions on why this new symbol of postfeminism—the girl gone wild, the party-like-a-porn-star striver, the woman who populates HBO’s "educational" reality shows like Cathouse and Pornucopia—isn’t nearly as groundbreaking as she thinks she is.
"Analysis is hard, it’s complicated, and it disturbs the comfortable simplicity of familiar worldviews." So writes Susan Bordo, professor of English and women’s studies at the University of Kentucky. And she should know: Her incisive writings on a wide variety of topics cut through thickets of controversy and rhetoric to produce a fine, elegant, and, above all, resonant analysis.
I didn’t start out in the world a hard-ass, I swear. I was thenice girl, Little Mary Sunshine—turning the other cheek and searching for the good in all people. But you know what finally pushed me over the edge? I’ll sum it up for you in one word: breasts. More specifically, my‑breasts. I am a woman with large breasts—an intelligent woman, horror of horrors. (I mean, brains and‑breasts?
When we heard that Jane Pratt, the former editor of Sassy—the sharp, celebrated teen mag that above all was absolutely unwilling to pull its readers into the spiral of insecurity and product consumption so endemic to all others in the genre—was launching a new grown-up glossy, we, along with other feminist pop culture junkies nationwide, squealed with excitement. Then Jane launched. And we weren’t excited anymore. Here’s why.
My arm fell asleep, I got so engrossed. This issue of Harper’s Bazaar is about as big as a bible—and just as full of prophecy.
I fall in love with the models, their blackened eyes and plaster pigment, all pinched and compressed into vinyl and leather, looking hot hot hot and totally unfazed. They are the visions of me that I will never see.