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Has Lifetime built a better makeover show?

Taking a break from its steady routine of made-for-TV women-in-peril movies, the Lifetime channel recently premiered How To Look Good Naked, a new series that joins makeover mainstays like TLC's What Not To Wear and Style’s How Do I Look? with a similar mix of fashion policing and talk therapy.

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Big Trouble

Are eating disorders the Lavender Menace of the fat acceptance movement?
Written by Lily-Rygh Glen
Illustrated by Mia Nolting

BeckyAll names have been changed. has been active in the fat acceptance movement for a good half-dozen years. She attends and organizes awareness-raising events, takes part in her local fat social scene, and fights to end discrimination against fat people with a powerful combination of weary sadness and righteous anger. She wears her weight like well-adorned armor, betraying no sense of regret or shame in her 480-pound body.

Becky also has an eating disorder.

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Weighing Reality

Who's Really the Biggest Loser?
Written by Jacob Anderson-Minshall
Illustrated by Ai Tatebayashi

“Obesity,” declares Charlotte Cooper, author of 1998’s Fat and Proud: The Politics of Size, “is just a word used by people to medicalize fat.” Extra weight, once considered a genetic short straw, is increasingly characterized as a crisis threatening the physical, political, and moral health of our nation—even as large bodies are becoming increasingly visible in popular culture.

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Hog Heaven

Ariel Levy on Female Chauvinist Pigs and the Rise of Raunch Culture
Interviewed by Andi Zeisler
An interview with Ariel Levy

You’ll recognize the female silhouette that leans against the title on the cover of Ariel Levy’s new book, Female Chauvinist Pigs. She’s the girl who in recent years has made the move from the mud flaps of big rigs right into pop culture, gracing trucker caps, baby tees, and gold necklaces as an emblem of sexy, empowered ­womanhood. Or at least that’s what she’d like you to believe. But Levy doesn’t buy it, and Female Chauvinist Pigs offers her opinions on why this new symbol of postfeminism—the girl gone wild, the party-like-a-porn-star striver, the woman who populates HBO’s “educational” reality shows like Cathouse and Pornucopia—isn’t nearly as groundbreaking as she thinks she is.

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Bodies of Work

Lisa Jervis talks to philosopher Susan Bordo
Interviewed by Lisa Jervis
An interview with Susan Bordo

“Analysis is hard, it’s complicated, and it disturbs the comfortable simplicity of familiar worldviews.” So writes Susan Bordo, professor of English and women’s studies at the University of Kentucky. And she should know: Her incisive writings on a wide variety of topics cut through thickets of controversy and rhetoric to produce a fine, elegant, and, above all, resonant analysis.

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My Cups Runneth Over

Written by Erin M. Pipes
Illustrated by Isabel Samaras

I didn’t start out in the world a hard-ass, I swear. I was the nice girl, Little Mary Sunshine—turning the other cheek and searching for the good in all people. But you know what finally pushed me over the edge? I’ll sum it up for you in one word: breasts. More specifically, my‑breasts. I am a woman with large breasts—an intelligent woman, horror of horrors. (I mean, brains and‑breasts?

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Ten Things to Hate About Jane

Written by Andi Zeisler, Lisa Jervis, Rita Hao

When we heard that Jane Pratt, the former editor of Sassy—the sharp, celebrated teen mag that above all was absolutely unwilling to pull its readers into the spiral of insecurity and product consumption so endemic to all others in the genre—was launching a new grown-up glossy, we, along with other feminist pop culture junkies nationwide, squealed with excitement. Then Jane launched. And we weren’t excited anymore. Here’s why.

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Hail Harper's

An Ode
Written by Erin Keating

My arm fell asleep, I got so engrossed. This issue of Harper’s Bazaar is about as big as a bible—and just as full of prophecy.

I fall in love with the models, their blackened eyes and plaster pigment, all pinched and compressed into vinyl and leather, looking hot hot hot and totally unfazed. They are the visions of me that I will never see.

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Of Kegels, Kotex, and Kate Moss

A Look at February's Women's Glossies

Allure

Irony of the month: While the Editor’s Letter says, “Shut up and eat,” and bemoans the fact that women are always “self-surveilling” their caloric intake, the mag gives information about: “Aromatrim” products (you smell them and they make you eat less); a new diet pill; “liposhaving” (you can guess what that is).

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Mad As A Wet Hen #2

A Roundup of Media Affronts

“So now you can eat like one of the boys, but still look like one of the girls,” says the male voice-over touting Baked Lays potato chips while supermodels stuff their faces on screen...
Oh, boys, did you know—Twix bars are the new way to get rid of those pesky, materialistic, shallow, shopping-obsessed females in your life...
Eating is a masculine activity, part two: Wendy’s Big Eaters ads. Chunky men eat while the announcer talks about how big the meals are...
On Caroline in the City, four men discuss post-break-up ettiquette. Dell, Caroline’s ex-boyfriend, is pissed because she has a date with another man...
Eating is a masculine activity, part three: On Wings, Helen and Joe are babysitting for a little girl. Joe offers her ice cream...

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