Björk trades exclusively in weird, constantly redefining herself in ways that challenge conceptions of women in music. I love Björk for shaking off any definitions people have applied to her, so let's cruise through a short "greatest hits" list of classic Björk moments that have helped shape her nebulous character.
Crystalline opens with the tiny chimes of the Gameleste, the uninhibited MIDI-fied xylophone organ box with handmade bronze tonebars, Björk-comissioned. She sing-talks in apotheosis timbre about feet, crystals, nebulas, and anxiety.
Last time I discussed what happens when female artists imagine themselves having sex with robots. This time, I'm more interested in what happens when they imagine themselves as robots.
Read on for more about Robyn and Björk.