Welcome to the first proper installment of RetroPop! A blog in which I, your humble guest writer, bring together my loves for the Billboard Hot 100 and bodacious bits from female artists of the past. It's all based on my argument that lady-related pop messages of today are no less worthy than pop messages from the canon of women artists throughout history, and that by comparing them a bit maybe we can have some fun and give today's female pop stars a bit more cred in the process. (Possibly making us "thinking girls" feel less guilty about bustin' a move to Beyoncé? Added benefit.)
Today, in this first true demonstration of the RetroPop mashup style, we'll take a look at some parallels between Carly Rae Jepsen's dancelicious song of the summer, "Call Me Maybe," and my favorite Jane Austen novel, good old Pride & Prejudice (P&P).
Considering how restrictive so much kinky clothing is, when does sexy cross the line into sexist? Is shoe-horning oneself into corsets, latex or agonizingly high heels just part of fetishism, or is it just another way in which the female body is molded and manipulated? Today, I'm peeling back the PVC to find out...
When Beyoncé took a stand for all "single ladies," no one in my then-same-sex relationship had as of yet put any rings on anything and I was pretty happy about that.
After thoughtful and difficult conversations, however, my person and I agreed on a compromise: I came around to the romantic angle and legal benefits of marriage, and my person agreed to completely re-inventing every wedding tradition that I found problematic.
My love of Beyoncé has been well documented on this blog before, so I won't get into it again here. However, I do want to talk about Bey's new video for "The Best Thing I Never Had," or rather, talk about the way other people are talking about it. First, the video, which is mostly just Beyoncé dancing around and looking really pretty in a wedding dress:
OK, first things first: I am a Beyoncé fan. However, fandom aside (well, sort of, because you can't ever really throw fandom aside) I must say that I'm surprised by all of the negative pushback Bey's latest video, "Run the World (Girls)," is getting. Not because it's a perfect video with a flawless, amazing message (it isn't), but because so many people are fired up about it. On the one hand, this pushback is terrific, because it means lots of people are talking about race and feminism and doing a close read of a music video, which doesn't happen all that often. On the other hand, this pushback is a bit harsh and asks more of a pop song and pop singer (whose heart I believe to be in the right place—more on that in a minute) than is perhaps fair.
I hate to overload you with Beyoncé news, but just after I critiqued the Daily Mail op-ed accusing her of looking too white, news broke that Beyoncé donned blackface and pseudo African garb for French glossy L'Officiel. Why did Bey make this enormous misstep? According to reports, she participated in the African-themed photo shoot to pay tribute to Nigerian musician Fela Kuti.
Is Beyoncé Knowles' bleached blonde hair and light skin reason enough to accuse the singer of racial treason? Yes, says Yasmin Alibhai-Brown, who just penned a piece in the Daily Mail about how Beyoncé is betraying black and Asian (meaning South Asian) women with her exterior.