Last week, the internet lit up with news of a phone number that would text you back bell hooks quotes. The two creators of the "feminist phone intervention" see the project as a mix of activism and art—people can give out the phone number to people trying to pick them up or they can just text the number for a little dose of wisdom during the day.
My position right now is that it's crucial that as we work to produce ourselves and others as people with critical consciousness—especially in schools, and not just in Women's and Gender Studies classes—and that a feminist consciousness is a vital part of that for people of all genders and sexes. But all learning is a process, so I look forward to you challenging or complicating my views!
HuffPo reports on Rachel Maddow's statement that "[g]ay people—generally speaking—have a responsibility to our own community and to future generations of gay people to come out, if and when we feel that we can." Do you agree?
"Rave On" is the Page Turner series that asks feminist writers, artists, musicians, activists, leaders, and scholars to talk about a book that completely rocked their world. Today we feature musician and singer-songwriter Joan Wasser, of Joan as Police Woman, on Outlaw Culture: Resisting Representations, by bell hooks.
Outlaw Culture taught me to change the way I thought about everything. I first read it when it was released in 1994 because it had a chapter about Madonna and how she turned her back on her original, daring woman image and ultimately gave into the little-girl, sex-kitten status quo.
I had written essays on Madonna when I was in high school, horrified because my ideas of empowered women were Siouxsie Sioux and Exene Cervenka. I was already a massive music fan and felt confused by Madonna's brazenly sexual image (and unshaven underarms) in combination with her music, which I considered, at the time, totally useless fluff. I was thrilled to find someone else who shared my distaste for her, like hooks did, albeit in a completely different way.