I fall more in love with the work of Catherine Eyde every time I look at her art. Her colorful renditions of women, creatures and landscapes both ordinary and fantastical walk the line between twee and haunting, like a gorgeous, uneasy mixture of Grimm's fairy tales, Alice's Adventures in Wonderland and feminist sci-fi.
Swoon works in a combination of wheat-paste and paper cutout to create life-sized, figurative and graphic street art with strength and femininity. While a great deal of her work has been done outside the confines of a gallery, she was classically trained as a painter before adopting street art techniques.
The artist formerly known as Caledonia Curry studied painting at the Pratt Institute in Brooklyn and started doing street art around 1999 at age 19. She's also a member of the Justseeds Artists' Cooperative, a grass-roots, decentralized group of artists who believe in art as both personal expression and collective action. This group contributes graphics to struggles for justice, both in the studio and on the streets, collaboratively and individually, all over North America.
Tomorrow night in Portland (Thursday, February 17 at 7:00 PM), renowned artist Carolee Schneemann will give a free performance lecture at PCC's Performing Arts Center on the Sylvania Campus. A product of the 1960s-70's New York art scene, her work challenged, shocked, and forced her audience to think about their reaction to women's bodies and feelings about physicality, often with her own body as part of the composition.
I'm super excited for Of Lamb, the new book from poet Matthea Harvey and artist Amy Jean Porter, so although it hasn't been published yet I thought I'd share a sneak peek. The book is one long erasure poem by Harvey accompanied by beautiful and weirdly funny illustrations by Porter. More about erasure, plus illustrations from the book, after the jump!
Fresh off the harddrive, this episode of Bitch Radio features women from the Make-Believe issue of Bitch! If you're into women who make pop-culture collage art (say, Sonja Ahlers, author/artist of The Selves), who make it in Hollywood sans plastic surgery or selling out (I'm talking about the hilarious Jamie Denbo of Ronna and Beverly, Weeds, and Best Buds), who document the riot grrl movement (maybe Sara Marcus, author of Girls to the Front), or who use what most people consider a nerdy pastime for social change (like LARPing expert and player Sarah Bowman), then you should not miss this podcast! Plus it features music from Twin Sister, whose latest EP, Color Your Life is available from Infinite Beat records and they are currently on tour with the Morning Benders. .
Stream it below, subscribe on iTunes or RSS, or download at archive.org. Transcription available here (.doc). (Thank you, Katie!) Script after the jump.
"Buzz" is a current art show curated by Hungry Eyeball installed inside Tender Loving Empire, an impressively multi-tasking collective. "Buzz" contains works by five Portland, Oregon based artists: Chelsea Fletcher, Amy Ruppel, Rebecca Artemisa, Kinoko and Wesley Younie. Although it is too late to see Y La Bamba play an intimate show for the opening night (darn it!), it is fortunately not too late to see the art. "Buzz" will be in the Tender Loving Empire gallery until November 2nd. More after the jump!
It's festival season here in Portland, and MFNW was just the beginning. Running now thru September 19th, the Portland Institute of Contemporary Art is putting on its 8th annual Time-Based Art (TBA) festival. Here's your Bitch guide to women-centric performances and exhibitions over the next few days.
How, exactly, does one become an artist-in-residence at a sanitation department? If you want to do it the way Mierle Ukeles did it, first you get expelled from Pratt for making "pornographic" abstract art. Then you have a baby. Then you write a rad manifesto that redefines everyday maintenance work as fine art. Then you make landfills into beautiful public parks! Easy peasy.
Truly transgressive art should make us uncomfortable. It should challenge us. Yet, a lot of supposedly transgressive art is created within very safe boundaries, by creators in positions of power, and it often reinforces harmful social attitudes and beliefs at the same time. People living in marginalized bodies who could produce groundbreaking work are only allowed to enter the pop culture sphere when they conform to certain expectations, and they are well aware that a lot of pop culture consumers will tune them out if they cross the invisible line.