Feminism and art aren't as closely linked as they should be, but I want to change that. Too many women are excluded from being called "the great artists," as if we require a separate category. Well, I want to give Bitch readers and art lovers everywhere a reason to celebrate strong females in the art world.
Office chairs upholstered in mourning fabric, Arabic calligraphy covering white walls like black foliage, and graphic patterns with horrific details—these are just a sampling of Parastou Forouhar's multimedia artwork.
The latest book to grace the shelves of Bitch's virtual bookstore is Who is Ana Mendieta?. Part comic book, part eulogy, and part social critique, this book is a unique graphic retelling of the life and legacy of conceptual and land artist Ana Mendieta by artists Christine Redfern and Caro Caron.
Brooklyn-based artist Lorna Simpson produces visual works that both isolate and confront conventional views on identity, ethnicity, and history. A majority of her recent work portrays black American women casually posed in standalone scenes or everyday interactions, inviting viewers—herself included—to question what divisions exist between society's past and present.
I fall more in love with the work of Catherine Eyde every time I look at her art. Her colorful renditions of women, creatures and landscapes both ordinary and fantastical walk the line between twee and haunting, like a gorgeous, uneasy mixture of Grimm's fairy tales, Alice's Adventures in Wonderland and feminist sci-fi.
Swoon works in a combination of wheat-paste and paper cutout to create life-sized, figurative and graphic street art with strength and femininity. While a great deal of her work has been done outside the confines of a gallery, she was classically trained as a painter before adopting street art techniques.
The artist formerly known as Caledonia Curry studied painting at the Pratt Institute in Brooklyn and started doing street art around 1999 at age 19. She's also a member of the Justseeds Artists' Cooperative, a grass-roots, decentralized group of artists who believe in art as both personal expression and collective action. This group contributes graphics to struggles for justice, both in the studio and on the streets, collaboratively and individually, all over North America.
Tomorrow night in Portland (Thursday, February 17 at 7:00 PM), renowned artist Carolee Schneemann will give a free performance lecture at PCC's Performing Arts Center on the Sylvania Campus. A product of the 1960s-70's New York art scene, her work challenged, shocked, and forced her audience to think about their reaction to women's bodies and feelings about physicality, often with her own body as part of the composition.