On August 18, 1970, Angela Yvonne Davis's name was added to the FBI's Ten Most Wanted List for kidnapping, murder, and interstate flight. Being hunted by J. Edgar Hoover for a crime she clearly did not commit made Davis instantly as famous or infamous, depending on your point of view, as revolutionaries such as Che and Mao.
Almost from day one, posters were the way the world connected with Angela Davis.
Masha Tupitsyn writes about film, feminism, love, and being human in a media-drenched culture. Her new book, Love Dog, is a multimedia print version of a one-year blog project on love. The text is interspersed with film stills, URLs for movie clips and music videos, and more.
Love Dog feels like (one version of) what a book should be right now—a print text that's constantly in conversation with other texts and people and mediums.
It's not often that income tax audits make big news, but the mammoth of an audit that's been thrown Venus DeMars andLynette Reini-Gambell, a married couple and a relatively successful musician and poet respectively, has been getting some local press in their home state of Minnesota. This MinnPost article features an interview with the couple in which they discuss the details of the situation, but in short: the Minnesota Revenue Department is claiming that the couple's respective artistic careers are not profitable enough to qualify them as "professional" artists and is demanding around $100,000 in back taxes for work-related tax deductions the couple has claimed over the years.
As long as I can remember, my mother had long nails. For that matter, my grandmothers and aunts did too. It was a sign of maturity, like big earrings and high heels. But it was practically a cultural practice, since most of my friends at school and their mothers kept their nails unpainted and shortened to the fingertip. And until recently, I was still the only one of my roommates whose nail polishes didn't fit in one box.
Chicago-based artist Sandie Yi is the virtuoso behind Crip Couture, an avant-garde wearable art project for disabled people seeking to redefine constricting standards of beauty, agency and "normalcy."
Yi transforms traditional, uninspired prosthetics and orthotics into tailor-made creations for clients, taking into account the individual's needs, desires and state of mind. The point is not to manufacture conventional, "corrective" physical aids that blend in with the status quo; instead these innovative pieces capitalize on the diverse beauty found in disabled bodies, highlighting difference and redefining not only fashion but disability itself.
Happening now is the first ever Design Week Portland, which celebrates design as one of our city's most promising cultural and economic resources through a series of talks, exhibits, films, and open studios all across town.