If I were making a list of things that felt absolutely futile to protest, I'd put climate change at the top. And if I were making a list of organizations that have failed in their efforts to get the world to care about climate change, I'd put the UN near the top, too.
At the beginning of the Finding Vivian Maier, numerous friends, relatives, and former employers of the recently discovered Chicago street photographer and nanny try to describe her succinctly: she’s eccentric, bold, private, paradoxical. Above all, say friends, if she were alive, she would never have allowed this cinematic exposition of her life.
New York artist Donna Choi wanted to create a “weird, memorable way” to discuss fetishization of Asian women, so she put together a satirical series about how to diagnose Yellow Fever—the specific obsession many Western men have with Asian culture.
The over-the-top series is a discussion of race crafted for the attention span of the Internet.
It feels like everyone is rooting for Allie Brosh. The 28-year-old Hyperbole and a Half artist and writer has holed up in her bedroom for the past four years, churning out unique webcomics that have come to define a modern style of internet storytelling. Brosh is both extremely talented and wildly self-effacing—she surprises millions of readers with how deep a punch her colorful stick figures can pack.
Now, Brosh’s favorite comics and some new, unpublished ones have been collected in a book from Simon and Schuster. I talked with Brosh as she rode in a car through San Francisco, squeezing in interviews while her book tour hits the road.
• Colorlines takes a moment to talk to featured artists from a recent Smithsonian Asian-Latino pop-up exhibition about how they're changing the landscape of cultural representation in American art. [Colorlines]
What did we miss? Let us know what you're reading in the comments!
This month, Bitch collaborated with women-in-literary-arts group Her Kind to ask poets thought-provoking questions about art and language. Here, poets Stalina Villarreal and Ire'ne Lara Silva talk over issues of likability, art, and how to "write from your cunt."
If you don't know the work of Australian artist TextaQueen, lucky you, getting to learn about the portrait artist for the first time. The "felt-tip-marker super-heroine" creates bright, colorful drawings that incorporate cultural imagery into self-portraits and drawings of others. Though they're created with such simple art tools, Texta's portraits show complex layers of identity, shaped by her perspective as a queer, political, Catholic-raised, Australian person of color.
Why do images have such power? In this episode, comics collective Ladydrawers, Australian felt-tip-marker artist TextaQueen, and colorism researcher Jyoti Gupta all delve into the big issues of how visual media shapes how we see ourselves. Plus, two Bitch staffers talk with Equity Foundation Executive Director Karol Collymore about images that shaped us growing up, from fashion magazines to drawings of Ramona Quimby.
This episode is sponsored by GladRags, makers of washable cloth menstrual pads that are better for your body, your budget, and the environment. Use coupon code "bitchradio" for 15 percent off at their products online.
On August 18, 1970, Angela Yvonne Davis's name was added to the FBI's Ten Most Wanted List for kidnapping, murder, and interstate flight. Being hunted by J. Edgar Hoover for a crime she clearly did not commit made Davis instantly as famous or infamous, depending on your point of view, as revolutionaries such as Che and Mao.
Almost from day one, posters were the way the world connected with Angela Davis.