Why do we fear change? Revision is essential to the work of writers, artists, musicians, and activists. On this episode inspired by Bitch's current print issue, we explore revision in three different artistic mediums. First, we talk with writer Stephanie Abrahamabout how the star of classic sitcom "I Dream of Jeannie" morphed from a Baghdad-born genie to a mainstream Florida housewife. Then, we sit back and listen to Hrishikesh Hirway of the podcast Song Exploder talk with musician Julia Holter about how she puts together a song. Finally, Bitch Media's Art Director Kristin Rogers Brown discusses designing magazine covers and what to do when good art ideas go horribly wrong.
Anyone who grew up with an Arab father knows how tyrannical Middle Eastern men can be: they talk louder than anyone else in the room, make inappropriate jokes at the dinner table, and their flatulence will clear a room with after eating too much lamb (but only after all the guests have left). That’s my dad, at least.
E.J. Assi and Nada Shouhayib star in Detroit Unleaded, where their characters fall in love in a Detroit gas station.
As an Arab American with a background in media criticism, I often feel like a broken record, calling out the endless stereotypes of Arabs in U.S. popular culture. I long for transgressive representations, those that break the mold and offer audiences thought-provoking stories about humanity. When I find them, I exclaim, “Alhamdulillah!”—an Arabic expression that literally means, “Praise be to God,” but culturally translates as: “Hell, yeah!” The independent film Detroit Unleaded deserves such a shout-out.
"For those of you who don't know me, I'm not wasted, but the doctor who delivered me was." So begins the standup comedy set from Maysoon Zayid: disabled comic, actor, humanitarian, and "Arab Gone Wild."