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African-American

Why Black Dolls Matter

Social Commentary post by Lisa Hix on March 5, 2013 - 2:08pm; tagged African-American, dolls, history, Race, toys.

three black baby dollsAs a little girl, Samantha Knowles didn’t stop to consider why most of her dolls—her American Girl dolls, her Cabbage Patch Kids, her Barbie dolls—were black like her. But black dolls were not common in her upstate New York hometown, whose population remains overwhelmingly white. So when Knowles was 8 years old, one of her friends innocently asked “Why do you have black dolls?” And she didn’t know quite what to say.

But that question stuck with her, and in college, she started to consider how she would answer as an adult. Finally, as an undergraduate film student at Dartmouth, she connected with a small but passionate group of black doll enthusiasts who gather at black doll shows around the country, and for her senior honors thesis, Knowles, now 22, completed a documentary called “Why Do You Have Black Dolls?” to articulate the answer.

What the Brooklyn filmmaker didn’t know was that her mother felt so strongly that her daughters, Samantha and Jillian, have dolls of their own race, that she would stand in line at stores or make special orders to make sure they got one of the few black versions. “My parents made sure to get us a lot of black dolls in a wide variety of hues and shapes,” Samantha Knowles says. “We didn’t have exclusively black dolls, but we had mostly black dolls. After I started working on the film, I had a lot of conversations with my mom, and she would say, ‘Oh, you don’t know what I had to go through to get some of those dolls!’”

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Preacher's Daughter: Beth Hart and Joe Bonamassa, Homage or Cultural Appropriation?

Music post by Kristin Rawls on September 28, 2011 - 11:23am; tagged African-American, appropriation, Aretha Franklin, Billie Holiday, cultural appropriation, Etta James, female singers, lady singers, soul music, spirituality, tom waits.

Don't Explain, a collaborative effort between blues revivalists Beth Hart and Joe Bonamassa, hit stores yesterday. It features a range of traditional blues, soul and even gospel classics first made famous by the likes of Billie Holiday, Etta James, Ray Charles and Aretha Franklin. Of course, the intention is homage, but the artists are facing criticisms about cultural appropriation.

The opening track, "Sinner's Prayer" (lyrics) was recorded by both Lowell Fulson and Ray Charles in the 1950s. Here's their version:

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In Memoriam

Social Commentary post by Deesha Philyaw on April 16, 2009 - 9:54pm; tagged African-American, bullying, Carl Joseph Walker-Hoover, gender conformity, GLSEN, LGBT, PFLAG.

abc_wcvb_bully_090410_mn.jpg

Imagine being teased and harassed by your peers--“You’re gay!” “You’re girlie!” “You’re a fag!”—because you don’t conform to their expectations of you based on your gender.

Imagine that this happens every day at school.

Imagine that you are 11 years old.

What if every week your mother pleaded with the officials at your school to do something to put an end to the taunting--to no avail?

And what if one day you just couldn’t take it anymore?

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