Feminist book-lovers will already be long familiar with novels depicting the rollback of reproductive rights, such as The Handmaid's Tale, The Misconceiver, and Woman on The Edge of Time. So is there room for another book looking at a the consequences of criminalizing abortion? Yes, there is—perhaps more than ever.
Last week, a friend sent me a link to the blog Stuff Christian Culture Likes. Not to be confused with the evangelical site, Stuff Christians Like, Stuff Christian Culture Likes zeroes in on the strangeness of US evangelicalism with a more jaded perspective.
The blog raises an issue that I've been thinking about a lot recently—that is, that evangelicalism has its own weird language, with its smattering of words that take on a completely different meaning in evangelical culture. It even coins words and phrases of its own. In another post, I outlined some of the terms related to Christian patriarchy that I think you should know. Here, I offer another list of problematic entries (in no particular order), each paired with a corresponding Christian Contemporary Music track that you can find on YouTube.
I have a confession to make. I was raised in an evangelical Christian home, and when I was much much younger... I was a fan of contemporary Christian music (CCM). Oh, yes. I reailzed just how much of an affront to music it is almost half of my life ago, but lately, I've been thinking about just how entrenched it is in the ideology of the Christian Right. Consider this awful 1995 track by Twila Paris called "Rescue the Prisoner." (The "prisoner," it turns out, is a member of the LGBTQ community who is said to be "demanding rights" and "defending wrong.")
A couple of commenters have raised questions about progressiveness in country music. Today, I want to suggest that there are progressive voices, at least in Americana, roots, and alt country music, but those voices are limited. They are almost always white, and usually populist and male. There are a few women in country who arguably identify as feminists. None of these artists are evangelical Christians like some major label country musicians, but faith imagery permeates much of their songwriting. It is often used in visions of a Utopian future, or it takes on a perverse meaning.