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1970s

Mom & Pop Culture: Lessons Learned From Free to Be... You and Me

Social Commentary post by Avital Norman N... on December 27, 2011 - 12:30pm; tagged 1970s, kids, Marlo Thomas, music.
The lessons shared in Free to Be... You and Me are not only timeless, they are also incredibly essential to remember in today’s world. When we have young boys being targeted by Fox News writers for wearing pink toenail polish, and large companies that continue to push gender stereotypes, I think it’s time for a little refresher course in what it truly means to be free. With that in mind, I present to you five lessons I have learned, and continue to hold dear, from Free to Be... You and Me.
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3 comments

Murder, She Blogged: The First Female Detectives?

History post by jessmccabe on July 29, 2011 - 10:11am; tagged 1960s, 1970s, detectives, firsts, literature, mystery novels.

Honey West, a young white woman with blonde hair, sitting back holding an ocelot on her kneeLet's track down some of the first female detective characters, in literature, film and television.

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10 comments

Murder, She Blogged: Retrosexism in Life on Mars and LA Noire

TV post by jessmccabe on July 25, 2011 - 10:55am; tagged 1940s, 1970s, detectives, games, television.
From the village bobby on his bicycle to elaborate games of cops and robbers in mid-20th century America, detective fiction often harks back to the past. From a feminist perspective, this is a can of worms.
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11 comments

Bechdel Test Canon: Crooklyn

Movies post by Alyx Vesey on November 10, 2010 - 12:42pm; tagged 1970s, Alfre Woodard, black girls, Carolyn Carmichael, Crooklyn, girlhood, mother-daughter relationships, Spike Lee, Troy Carmichael, Zelda Harris.
Troy and Carolyn

Writer-director Spike Lee is a contentious figure, especially regarding gender politics. His debut feature, She's Gotta Have It, established this reputation by depicting rape as consensual between the polyamorist female lead and her vindictive partner, resulting in bell hooks' seminal essay, "Whose Pussy Is This?" In subsequent releases, Lee has been criticized as sexist, misogynistic, and homophobic in his constructions of relatively unformed, castrating women and the limited narrative arcs they traverse. Thus, many detractors may not think a movie of his could pass the Bechdel Test, much less have a complex black girl character at its center.
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