SNL Adds First-Ever Fat Woman to New Cast

After losing some regulars last season—Abby Elliott, Kristen Wiig, Andy Samberg, and Jason Sudeikis (maybe)—Saturday Night Live announced the three new cast members who'll be joining the show's 38th season. One of the three is Aidy Bryant, a Second City alum who just happens to be fat. Though SNL has long showcased the work of funny fat men like Chris Farley, Horatio Sanz, and Kenan Thompson, Bryant is the show's first-ever fat female hire. Hooray!

Aidy Bryant in a black and white photo
Don't know about her jokes, but she has great hair.

SNL isn't exactly known for its groundbreaking diversity. The cast roster is overwhelmingly white, straight, cisgendered, and male, and you could count the women of color on just one hand (two fingers if you look only at the past decade).

Sure, the three new cast members are all white people from the midwest, which is too bad (I'm sure we aren't the only ones who are tired of the male cast members dressing in drag to play women of color). However, it's still exciting that SNL is opening doors for fat women in comedy, and even though 2012 is embarrassingly late in the game, this is new ground for the sketch show and it's kind of a big deal.

In 2000, Tina Fey had to lose 30 pounds before she did Weekend Update, and just a few years ago it was rumored that Casey Wilson was asked to leave Saturday Night Live because she didn't lose 30 pounds between seasons. Cut to three years later, and SNL can finally have an actual fat woman play the roles written for fat women. It's about time!

I don't know much about Bryant, but this video from her website where she and her friends share things is pretty charming:

Again, it's weird to celebrate Saturday Night Live for deciding to not be shitty to fat women after decades of being shitty to fat women—it's like thanking someone for not punching you in the face. But even though it took 38 years(!), it's awesome that audience members will get to see a plus-size woman being hilarious on television every Saturday night.

Comments

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Not so fast...

While I am happy to see diversity of any kind on SNL, which lacks in both size and ethnic diversity, I will hold off applauding SNL until I see what kind of skits she does. If every time she is on the screen, the focus is on her "fatness" then it will be clear that SNL has missed the mark and only using her to point out her "otherness" (not fitting into the thin white female mold that they are used to). Hopefully they can rise above that, as they did for the most part when Melissa McCarthy hosted the show. But with Aidy being a regular on the show, I want to see how soon/often then fall back on using old tired fat jokes. We shall see...

A feminist website making a

A feminist website making a comment about her hair before anything else. tsk tsk.

I was so excited to see

I was so excited to see Aidy's name on my favorite fem blog . . . and then my heart dropped.

I absolutely understand the good intentions behind this post, the fact that many women have reclaimed the word "fat" in a positive, primary "identifier" kind of way etc, etc, but you focused first on her body size (and hair); her "supposed" talent second. That hurt my big funny feminist heart - BAD.

So you haven't seen Aidy perform - yet. She's brilliant. I've been lucky enough to see her play around Chicago and all of us improv nerds are extremely excited and proud of her.

Maybe she was hired because - gasp - she's great? I know. SNL's track record in terms of hiring diverse performers isn't great . . but can we wait to see her perform a few shows before we 1) create an identity of "fat performer" that she might not claim herself and 2) deem this some sort of evil prank of the writing team/producers.

Aidy's great. We love you!

Aidy seems great!

Thanks for your comment, Chicago. I'm sorry to bum you out! Aidy Bryant seems really funny, but all I know of her so far is the videos I've seen on her website (which I really liked!). My purpose with this post was to celebrate SNL's hiring of a fat woman for the first time ever, which is why I focused on her size first and not her talent. That's not to say that she isn't talented—I'm sure she is! That just wasn't my point here.

That said, I certainly in no way think her being cast on SNL is an evil prank. Not at all! I'm just happy to see SNL incorporating some much-needed size diversity into its female lineup. And you're right—I don't know if Bryant uses the word "fat" to identify herself, and I don't want to unfairly label her. However, SNL is a television show and, for better or worse, the way the performers look plays a big role in how they're received by audiences. Bryant may not call herself fat (maybe she does—I can't speak for her) but she's seen as a fat woman by people watching this show, and I think that's important. This is a first for SNL and I'm looking forward to watching Bryant this season.

As for the comment I made about her hair (that Anonymous also took issue with above), I put it in italics because I meant it as an image caption for that particular photo. I don't think Bryant's hair is the most important thing about her as a person, I just thought it looked good in that picture. I still do!

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Chicago, I saw Aidy perform

Chicago, I saw Aidy perform at Second City this summer, and she was great! Far and away one of the best on the improv stage. I'm excited to see her on national TV.

Roles for fat women?

Great write up, though I agree with a previous poster re: her roles ..

"Cut to three years later, and SNL can finally have an actual fat woman play the roles written for fat women. It's about time!"

Hopefully she will also play roles written for WOMEN and for PEOPLE in addition to roles written for fat women. =)

Also, I don't remember reading about Tina Fey having to lose those 30 lbs in Bossypants. Did she leave it out or did I just forget? Boo to perpetuation of sizeism!

Throw rocks at the troll and

Throw rocks at the troll and maybe it will go away!!!

Yes, they hired her...

....but if they have this appalling track record of demanding weight loss from female cast members, what makes you think that demand isn't going to be made of her? ”You're in. Here's money. Now lose 5 pounds a month or you're out again.”

Why "hooray"?? I get that

Why "hooray"?? I get that entertainment shouldn't make women feel self-conscious by only hiring rail-thin actresses / models for shows and films, but I do not understand the latest celebration of morbidly obese people on television?? The times had an article on this latest phenomenon. Granted, morbidly obese men have been in shows / film as well, but I don't get this either.

I guess, with the world's most overweight country, what can one expect. Executives are going to push for putting identifiable actors / entertainers before us. Still don't think it's a good thing.

I guess I'd save the hoorays -- a person who clearly has no self-control and will likely incur health problems due to her obesity is not someone I'd celebrate for being on SNL.

I think SNL is blatantly

I think SNL is blatantly trying to acquire a slice of what made Bridesmaids shine brighter, as well as the public's love of Rebel Wilson. As stereotypical as that sounds, I honestly believe this is what SNL is doing -- embracing the overcoming of stereotypes and the publics rabidly positive response to this, by stereotyping to the extreme just in the unexpected direction.

The midwest (and Canadian) connection to so many SNL members is mostly just location. Chicago and Canada have a pretty good track record with improv and sketch talent....to the point it's like them as minor league/"farm teams" for pro baseball players. That's a good system to find someone who is a big star in a small pond, and hasn't been plagued with the LA syndrome. Unfortunately for diversity's sake, nerdy and white has usually been the major percentage of these two scenes, so that's where those odds lay. Not saying SNL doesn't branch out from there, but that's where they have had a high rate of success consistently.

So far, it seems they've steered clear of doing all weight related gags, but it wouldn't surprise me if they try to steer her bits with typical slightly vulgar "fat guy" humor (with the edge being people still aren't used to seeing a female doing it yet).

I will respect SNL slightly more if I don't see any obligatory Adele skits (whether or not she stays relevant). So far, she hasn't been in much, but she holds her own and has been funny or at least competent in her small appearances.

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Nassir Ghaemi, director of the Mood Disorders Program at Tufts Medical Center in Boston, Massachusetts, has felt shackled by the Diagnostic and Statistical Manual of Mental Disorders (DSM), often called the bible of psychiatry. Some of his depressed patients occasionally show manic behaviour but do not fulfil the DSM’s criteria for a diagnosis of bipolar disorder. Ghaemi is interested in whether such patients might respond better to drugs for bipolar disorder than for depression. But his colleagues warned him against straying from the DSM when he applied for funding at the US National Institute of Mental Health (NIMH), because peer reviewers tended to insist on research that hewed to DSM categories. Ghaemi held off from applying.

If NIMH director Thomas Insel has his way, Ghaemi and other mental-health researchers will no longer feel the weight of the DSM. “NIMH will be re-orienting its research away from DSM categories,” Insel wrote in a blog entry on 29 April. The latest edition, the DSM-5, will be unveiled on 22 May at the annual meeting of the American Psychiatric Association in San Francisco, California. Like many psychiatrists, Insel questions whether the DSM’s categories accurately reflect the way the brain works. He is pushing a project that aims to create a new framework that classifies mental-health disorders according to their biological roots. “Going forward, we will be supporting research projects that look across current categories — or sub-divide current categories — to begin to develop a better system,” Insel wrote.

The blog post made waves in the media and rattled some psychiatric clinicians and researchers. But Insel says that he has been talking about the issue since 2008. “The word was just still not out there,” he says. Insel says that he has increasingly received complaints from grant applicants who have tried to follow his guidance, only to be shot down by peer reviewers for eschewing DSM scripture.

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Insel’s main concern is that DSM diagnoses are not based purely on science, but also take social, legal and historical factors into account. For example, Ghaemi says that the manual encourages diagnoses that can be treated with drugs thought to be safe, while discouraging diagnoses whose treatments carry heavy or unwanted side effects. Steven Hyman, a former NIMH director now at the Broad Institute in Cambridge, Massachusetts, blames DSM diagnoses for hampering research into the genetic basis for psychiatric illness. It is “a fool’s errand”, he says, to try to find a biomarker for a diagnosis with little basis in nature. “Such efforts have wasted human capital and National Institutes of Health] and industry funds for many years.”

The NIMH has been developing its new framework, called the Research Domain Criteria (RDoC), since 2009. The system replaces DSM diagnoses with broad research categories based on basic cognitive, behavioural and neural mechanisms. For example, the domain ‘negative valence’ includes categories such as fear, anxiety and loss. The framework calls for each category to be assessed on the basis of genetics, neural circuitry and behaviours, among others. “RDoC is not a diagnostic system,” says Charles Sanislow, a professor of psychiatry at Wesleyan University in Middletown, Connecticut, and a member of the NIMH RDoC working group. Instead, he says, it is a framework to guide research questions, organize findings and relate them to one another and psychiatric symptoms.

But even its staunchest supporters say that the RDoC is not a perfect solution. Ghaemi worries that its focus on biological mechanisms will underemphasize research on clinical symptoms. “The fact is, we have not yet tried to make a scientific diagnostic system based on clinical research,” he says, noting that the the DSM was never based strictly on research.

And some researchers aren’t sure how their work will fit in to the RDoC. Jane Costello, an epidemiologist at Duke University in Durham, North Carolina, studies irritability in children — a condition that crosses DSM categories such as paediatric depression, conduct disorder and anxiety. But she says that there is no place for her research among the current RDoC categories and that the framework leaves out “huge areas of psychopathology”.

Hyman has urged the NIMH to start thinking now about how the biomarkers that arise from RDoC research can be incorporated into the clinic, where the DSM's symptom-based approach will still reign supreme. “It would be very problematic for the research and clinical enterprises to wake up in a decade to a yawning gulf,” he says.

For now, Insel is uncertain whether his blog post will have a big impact on the scientific-review process at the NIMH. He notes that grant review at the National Institutes of Health, of which NIMH is part, is centralized, and individual institutes cannot directly address reviewers. As another solution, Insel is considering shifting funds away from broader research programmes and into dedicated RDoC grants. Last year, the NIMH, with a budget of just under US$1.5 billion, awarded seven such grants, totaling $5 million.

But Ghaemi says that it may take more than money before the RDoC gain currency. “It is very hard for people who have been following the DSM their entire professional lives to suddenly give it up,” he says. “It’s uncomfortable for a lot of people, but the field needs to be pushed — hard.”
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