You’ll recognize the female silhouette that leans against the title on the cover of Ariel Levy’s new book, Female Chauvinist Pigs. She’s the girl who in recent years has made the move from the mud flaps of big rigs right into pop culture, gracing trucker caps, baby tees, and gold necklaces as an emblem of sexy, empowered ­womanhood. Or at least that’s what she’d like you to believe. But Levy doesn’t buy it, and Female Chauvinist Pigs offers her opinions on why this new symbol of postfeminism—the girl gone wild, the party-like-a-porn-star striver, the woman who populates HBO’s "educational" reality shows like Cathouse and Pornucopia—isn’t nearly as groundbreaking as she thinks she is.

When Damali Ayo was 12, her parents sent her to day camp with 20 white kids. The kids were fascinated by the way Ayo’s hair maintained its texture in the pool. Even after she deliberately dunked her head in the water, they were convinced that black hair doesn’t get wet.

This experience stuck with her as she launched her art career in the predominantly white city of Portland, Oregon. Ayo often felt she was the token black person relied upon for opinions and advice precisely because of her skin color.

See that blonde weaving through the strip on Roller­blades?” writes Details magazine in a March 2005 article. “Please puff up her denim miniskirt just enough for us to drink in the full length of her long, bronze legs.”

No, this isn’t a fluff piece on the latest centerfold hottie. It’s Details’ self-proclaimed “extraordinary” article on professional golfer Mianne Bagger, whose biggest challenge this year was winning the right to step onto the green with other women. In her quest to find acceptance in professional competition, Bagger has overcome the resistance of both golf’s governing agencies and other female pros who worried that Bagger would have an inherent physiol­ogical advan­tage. That’s because, although Bagger has played golf since she was 8 years old, she only turned pro in 2003—10 years after what she calls “a transsexual past.”

How can you not love Ms. Pac-Man, a woman for whom power pellets, peaches, and pretzels constitute a steady diet?

This is how I feel about her now, but my love for the little yellow gal with the red bow began when I wore bows myself—when I was around 11.