Suicide Girls' live nude punks want to be your porn alternative
“People think I have the greatest job in the world,” says “Spooky” Suicide. On any given day, he’s busy coding, designing, or holding up the business end of his website. It doesn’t sound too glamorous—until you realize that his site, Suicide Girls, is probably the best known in a growing trend in adult entertainment: alternative, independent web porn. Of course, amateur pornography is nothing new—the popularity of home videos and webcams have made it relatively easy and cheap to produce—but the average amateur site doesn’t feature girls with baby-blue dreadlocks and septum piercings. As one Suicide Girls slogan declares, “We’ve kidnapped your daughter and given her a tattoo.”
From all the films made every year, the Academy must choose the performance that deserves its Best Actress accolade—and avid watchers of their annual awards might well conclude it has no sensible criteria. Some years, the voting body wants to show its integrity. Other years, it wants to pet its poodles. This year, it wanted to pretend that racism isn’t an industry given, and rolled out an inelegant glut of tardy tributes. And there are, clearly, yet more social and political complexities polluting the field.
Jonathan Franzen’s <em>The Corrections</em> and contemporary women’s fiction
As every tabloid reader knows, it’s a short step from a celebrity marriage to a publicity-filled divorce. When Jonathan Franzen’s new novel, The Corrections, was published this fall, critics waxed hyperbolic over its wedding of character-driven family drama and up-to-the-nanosecond cultural commentary. Then Oprah chose the novel for her book club, and The Corrections seemed poised to bring about what many considered an even more unlikely union—this time of the lit-crit, severe-glasses clique and the suburban Barnes & Noble crowd.
It's been almost three months since September 11, and while the onslaught of the holidays (and for those of us around the Bitch HQ , the onslaught of production on a new issue) has provided a bit of distraction, it's still almost impossible not to feel that our jobs, our ambitions, and our daily dramas have been permanently dwarfed by the sadness and horror of everything that happened that day and everything that's happened since. Without a news editor or an investigative reporting staff, Bitch is at something of a loss for words.
Stephenie Meyer’s vampire-infested Twilight series has created a new YA genre: abstinence porn
Abstinence has never been sexier than it is in Stephenie Meyer’s young adult four-book Twilight series. Fans are super hot for Edward, a century-old vampire in a 17-year-old body, who sweeps teenaged Bella, your average human girl, off her feet in a thrilling love story that spans more than 2,000 pages. Fans are enthralled by their tale, which begins when Edward becomes intoxicated by Bella’s sweet-smelling blood.
An Interview with <em>The Center of the World</em>'s Molly Parker
Reviewers have likened it to a dot-com Pretty Woman, but The Center of the World, the latest film from director Wayne Wang (Smoke, Blue in the Face, The Joy Luck Club), is a far more complex rumination on the intersections of sex, love, and commerce. Set in southern California, the story follows Florence (Kissed's Molly Parker), a rock 'n'roll drummer who earns a living offering up lap dances in a strip club, and Richard (Boys Don't Cry villain Peter Sarsgaard), the lonely, freshly minted computer millionaire who pays Florence $10,000 to spend a weekend with him in Las Vegas.
Now you can quit camping out for the USPS to deliver your copy of "Buzz" and start reading Jonanna Widner's piece on Rachel Maddow, exploring the the pundit's prime time rise and unprecedented fan club around the country, and offering a social critique to the madness around Maddow! Click on the article for interactive reading!
An Interview with Filmmaker Marina Zurkow, Creator of the Web's Freaky, Fiesty Cerebelle du Jour, Braingirl
I met Marina Zurkow in 1986 on the set of a horror film called Matt Riker: Mutant Hunt. I was the art director. She was hired to be my assistant. It was an entirely inappropriate crewing decision, typical of the low-low budget B-movie genre. I'd never studied art, never been on a film set, and never cared much for horror; Marina had graduated from the School of Visual Arts, she'd propped several films, and she had a true affinity for the horror genre. Needless to say, she saved my ass.
Luscious Jackson's Kate Schellenbach on Blondie, basketball, and building her own musical all-star team
Kate Schellenbach is cool. Cool not because, after starting the fanzine Cheap Garbage for Snotty Kids in the early '80s, she was the first to take a seat behind the drum set for the Beastie Boys. Not because nearly 10 years later Luscious Jackson, the band she formed with friends from New York clubs like Hurrah and Tier 3, was the first band signed to the Beasties' Grand Royal label. Not even because since putting Luscious together the band has shared stages with the likes of Bettie Serveert, Urge Overkill, and R.E.M. Kate Schellenbach is cool in that intangible way that the person you chat casually with in the bookstore is coolshes smart, funny, and unassuming. On the verge of Luscious Jackson's national tour with labelmate Ben Lee, supporting their new record Electric Honey, the band played a radio show broadcast from Foxboro Stadium outside Boston alongside the Pretenders, Natalie Merchant, Sugar Ray, Melissa Etheridge, and Blondie. In between playing her set and jetting back to the stage to rock out to the Pretenders, she found time to have lunch with me.
Michelle Tea loves words, and it shows. As one of the founders of San Francisco's brilliantly loopy poetry slam-cum-cabaret Sister Spit, the 28-year-old Tea's flair for whipping tales of life and love into hilarious dramalogues have made her a local favorite on the spoken-word scene, and her gleeful energy and tongue-twisty stylings come through just as loud on paper.