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Pop Goes the World

Article by Erin Keating, Skarlet Fever, Kate Baggott, Claudine Zap, published in 2007; filed under Social commentary.
Looking at pop culture in the wake of 9-11

It's been almost three months since September 11, and while the onslaught of the holidays (and for those of us around the Bitch HQ , the onslaught of production on a new issue) has provided a bit of distraction, it's still almost impossible not to feel that our jobs, our ambitions, and our daily dramas have been permanently dwarfed by the sadness and horror of everything that happened that day and everything that's happened since. Without a news editor or an investigative reporting staff, Bitch is at something of a loss for words.

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Bite Me! (Or Don't)

Bite Me! (Or Don't)
Article by Christine Seifert, published in 2008; filed under Books; tagged abstinence, fan fiction, objectification, porn, sex, Stephenie Meyer, Twilight, vampires, YA fiction.
Stephenie Meyer’s vampire-infested Twilight series has created a new YA genre: abstinence porn

Abstinence has never been sexier than it is in Stephenie Meyer’s young adult four-book Twilight series. Fans are super hot for Edward, a century-old vampire in a 17-year-old body, who sweeps teenaged Bella, your average human girl, off her feet in a thrilling love story that spans more than 2,000 pages. Fans are enthralled by their tale, which begins when Edward becomes intoxicated by Bella’s sweet-smelling blood.

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Sex, Lies, and Videotape

An interview with Molly Parker by Laurel Rosen, published in 2001; filed under Film; tagged Miranda July, sex industry, sex work, strippers, Wayne Wang.
An Interview with <em>The Center of the World</em>'s Molly Parker

Reviewers have likened it to a dot-com Pretty Woman, but The Center of the World, the latest film from director Wayne Wang (Smoke, Blue in the Face, The Joy Luck Club), is a far more complex rumination on the intersections of sex, love, and commerce. Set in southern California, the story follows Florence (Kissed's Molly Parker), a rock 'n'roll drummer who earns a living offering up lap dances in a strip club, and Richard (Boys Don't Cry villain Peter Sarsgaard), the lonely, freshly minted computer millionaire who pays Florence $10,000 to spend a weekend with him in Las Vegas.

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The Rachel Papers

Article by Jonanna Widner, Illustrated by Omar Lee, published in 2009; filed under Broadcast; tagged lesbian icons, media, MSNBC, Rachel Maddow, women in news.
Get your own - Open publication
Now you can quit camping out for the USPS to deliver your copy of "Buzz" and start reading Jonanna Widner's piece on Rachel Maddow, exploring the the pundit's prime time rise and unprecedented fan club around the country, and offering a social critique to the madness around Maddow! Click on the article for interactive reading!
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Bad(ass) Brains

Bad(ass) Brains
An interview with Marina Zurkow by Ruth Ozeki, published in 2000; filed under Film; tagged animation, Braingirl, cartoons, film, gender bending, sexualization, superheroines.
An Interview with Filmmaker Marina Zurkow, Creator of the Web's Freaky, Fiesty Cerebelle du Jour, Braingirl

I met Marina Zurkow in 1986 on the set of a horror film called Matt Riker: Mutant Hunt. I was the art director. She was hired to be my assistant. It was an entirely inappropriate crewing decision, typical of the low-low budget B-movie genre. I'd never studied art, never been on a film set, and never cared much for horror; Marina had graduated from the School of Visual Arts, she'd propped several films, and she had a true affinity for the horror genre. Needless to say, she saved my ass.

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Action Jackson

Action Jackson
An interview with Kate Schellenbach by Tom Kielty, published in 1999; filed under Music; tagged Beastie Boys, female artists, Lilith Fair, Lollapalooza, Luscious Jackson, music festivals, music industry, record industry, women in rock.
Luscious Jackson's Kate Schellenbach on Blondie, basketball, and building her own musical all-star team

Kate Schellenbach is cool. Cool not because, after starting the fanzine Cheap Garbage for Snotty Kids in the early '80s, she was the first to take a seat behind the drum set for the Beastie Boys. Not because nearly 10 years later Luscious Jackson, the band she formed with friends from New York clubs like Hurrah and Tier 3, was the first band signed to the Beasties' Grand Royal label. Not even because since putting Luscious together the band has shared stages with the likes of Bettie Serveert, Urge Overkill, and R.E.M. Kate Schellenbach is cool in that intangible way that the person you chat casually with in the bookstore is cool—she’s smart, funny, and unassuming. On the verge of Luscious Jackson's national tour with labelmate Ben Lee, supporting their new record Electric Honey, the band played a radio show broadcast from Foxboro Stadium outside Boston alongside the Pretenders, Natalie Merchant, Sugar Ray, Melissa Etheridge, and Blondie. In between playing her set and jetting back to the stage to rock out to the Pretenders, she found time to have lunch with me.

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Tea Time

An interview with Michelle Tea by Andi Zeisler, published in 2000; filed under Books; tagged authors, dykes, Michelle Tea, queer, San Francisco, sex industry, Sister Spit, spoken word.
Valencia's Michelle Tea Likes it Caffeinated

Michelle Tea loves words, and it shows. As one of the founders of San Francisco's brilliantly loopy poetry slam-cum-cabaret Sister Spit, the 28-year-old Tea's flair for whipping tales of life and love into hilarious dramalogues have made her a local favorite on the spoken-word scene, and her gleeful energy and tongue-twisty stylings come through just as loud on paper.

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The Women's Academy

Article by Melissa Morrison, published in 2003; filed under Film; tagged award ceremonies, gender roles, Hollywood, movies, Oscars.

There are some contests in which women are truly at a disadvantage when competing with men. Football. Presidential nominations. Snow-writing. But acting is not one of them. Streep vs. Nicholson, Dame Judi vs. Sir Ian, Maggie Gyllenhaal vs. Jake Gyllenhaal - the Vegas odds would be close ones indeed if these actors were pitted against each other for top honors.

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Guy Trouble

These days, most men's movie roles feature hard-talking, heavy-hitting leads. Or self-conscious, awkward types bumbling through social relations. Or there are the sweet-hearted slacker dudes glued to the couch--and maybe their bongs--allergic to steady jobs but true to their friends. Sometimes the men are a combination of two of these types, as in the new bromance comedy I Love You, Man.

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