Make/shift magazine creates and documents contemporary feminist culture and action by publishing journalism, critical analysis, and visual and text art. Made by an editorial collective committed to antiracist, transnational, and queer perspectives, make/shift embraces the multiple and shifting identities of feminist communities. We know there’s exciting work being done in various spaces and forms by people seriously and playfully resisting and creating alternatives to systematic oppression. Make/shift exists to represent, participate in, critique, provoke, and inspire more of that good work.
Anyone out there have summer reading suggestions for our on-line readers? Non-fiction and fiction....? graphic novels? essays? bring it all on.
My gal, my son and I are heading out on a roadtrip this Sunday to a little cabin in Montana for a week of reading and relaxing and I would love to take a stack of reader suggested books with me, as I am sure many of us would. Then maybe we could write reviews and post them to this post as comments?
Keep those book ideas coming. Everyone should have (and have access to) a good book on their nightstand.
Over the past year at B-Word/Bitch we have been talking about growing. And doing some growing, too. But within these discussions there are some fundamental questions that not just B-Word contends with, but many, if not most, non-profits.
When is enough, enough?
When have we grown enough? How do we stay grassroots and evolve? When is the evolution over?
One of the people hard at work behind the scenes here is Kyla Wagener, AKA Bitch webmonkey. I'm sharing this for two reasons. First because Kyla recently started her own blog. She's wicked smart. You should read it.
I also share this because in her role as webmonkey, Kyla's wrangling all the content from past issues to be posted here. Our plan is to make available all content from issues that are sold out, and selected content from issues that are still available for purchase (get them while they last!).
I'm up in Portland this week, visiting Debbie and hanging out at the Bitch office. I haven't been here in about a year, and it's amazing to see how bustling the office is—with interns and volunteers and new staffers (hi, Brian!)—while maintaining a relatively unfrenzied vibe, even though it's the middle of production on a new issue. This kind of calm, um, was never really achieved when I was working here. I'm going to try not to read anything into that.