I was one of those major theater nerds in high school; my nerd-dom, however, did not usually translate to reading many well-regarded Classics of Theater. I did not read Tennessee Williams' The Glass Menagerie until college, and, looking back, I would have read it much earlier, had such a thing been possible. The Glass Menagerie, written in the early 1940s, is one of Williams' works that continues to get quite a bit of mileage out of the "faded Southern belle" archetype (if I may quote The Simpsons). It is notable also because of its depiction of disability in the character of young Laura Wingfield—who has a limp due to an adolescent bout of pleurisy. Though Laura, as a character, is problematic in some aspects, she is still worth a look because she does not totally conform to many dominant cultural narratives of disability.
I'm not a sports fan because of a guy I'm dating, or as an excuse to tailgate. I admit to exulting a bit when I can dismantle the preconception of who a sports fan is, or who a woman is, simply by talking about sports, which I love anyway. And I love the chance to have my own preconceptions dismantled when we chatter together about sports.With that in mind, the #3 reason why this feminist is a sports fan (and the very FIRST reason I started following the games) is ...
I bring you a collection of songs that represent the spirit of bitchdom; a collection of songs about anger, freedom, violence, jealousy, frustration, fantasy, revenge, pride, individualism and burping; in short, songs about the American Dream.
"Wow, that is so inspiring!" "She has truly overcome her handicap." "You are so brave!"
Do any of these exclamations sound familiar? They might, if you are a person with a disability who has been on the receiving end of "good intentions" that mask an unfortunately pervasive Western trope about disability and people who live with disabilities: Supercrip.