As we've seen in past editions of BitchTapes, many Bitch Media staffers spent the 90s listening to super cool, street-cred building riot grrrl jams. Well, I've got a confession to make: Even though I grew up in the Pacific Northwest, I had no idea that riot grrrl was even happening until it was already over. No, I spent my formative feminist years listening mainly to top 40 radio. Lucky for me, that included a whole lot of all-female R&B music. Behold:
Alas, there is no "Check out the patrons at a water park" cable channel, but there are sports, glorious televised sports, and nothing is more rewarding than watching the NCAA softball finals (to give one example) or the NCAA swimming and diving finals (to give another). And coming up, there are the Olympics.
So, can I ask what the obsession with Ke$ha is? I only ask, because I too am completely enamored with her while simultaneously holding back the urge to be violently ill. The 'party girl' aesthetic and persona is certainly nothing new. From Paris to Lindsay to every other brand of this celebrity girl whose name is synonymous with blackouts and so-called 'bad behavior" – we've seen/heard/and stomached it all. Yet is there something special about this Nashville-bred DIY artist (I, too, wear cowboy boots and rock gaudy gold when the mood strikes me)? The simple answer is ..
Works by two mixed-race Brits—musician Corinne Bailey Rae and writer Zadie Smith—have recently been profiled in the New York Times. Both women navigate their collective white and Caribbean ancestry by embracing hybridity instead of relegating themselves to one group. Their doing so challenges entrenched American notions of race that say that multiracial people must choose one ethnicity or another, not all.
If I hear another blogger/author/interviewer comment on Christina Hendricks' weight I might lose it. As if her body (omg BOOBS) wasn't enough of a focus already, now she is being picked apart for her appearance at the Golden Globes the other night. As you may have seen by now, Cathy Horyn fromThe New York Times claimed that "You don't put a big girl in a big dress" and ran this (distorted) photo of Hendricks: