People, we here at Bitch HQ have a lot on our plates, and you know how we don't want to spend our time? Continuing to argue with commenters about our use of the term "douchebag." We get it: Some of you don't like the term, and would prefer that we don't use it. But moderating weekly arguments in the comments section of Douchebag Decree posts has, frankly, grown pretty tiresome. So here's the deal: We're going to continue using the term, and those of you who aren't happy about it are going to have to either use the comments section of Douchebag Decree posts to comment on, you know, the actual posts, or else go to another site where you can rail against the term.
February 3rd, 2010 marked the 116th birthday of Norman Rockwell. Google's clever inclusion of his art among the letters of the search engine's logo alerted me to the historic date. Oh Google! You went and did it again with your clever intertextuality.
Rockwell rose to artistic fame with his Americana paintings depicting everyday life and its sentiments. On May 29th, 1943 The Saturday Evening Post ran as its cover Rockwell's painting of "Rosie the Riveter." Norman Rockwell's painting was the first widely publicized visual representation of Rosie the Riveter. Rockwell's Rosie was a commanding figure decked in overalls and a matching work shirt. She is confident as she gazes out into the distance, all the while using as a foot stool a bruised and battered copy of Hitler's Mein Kampf. Rockwell's Rosie is undeniably a more potent image than that which has come to culturally represent Rosie the River, J. Howard Miller's "We Can Do It."
Makeup giant Maybelline has a newsletter of sorts in which consumers answer a few questions and get tips on choosing products most suitable for their look. An Asian-Canadian blogger who uses the moniker Rasilla was happy enough to answer Maybelline's questions about her appearance. But after choosing "brown" for eye-color, Rasilla was asked to select the shape of her eyes. Her options? Close set, wide set, hooded, Asian, almond, down-turned, deep-set, prominent and centered. Let's backtrack for a moment. One of the options was Asian. That's right, Asian. Rasilla wasn't too pleased about this.
While my love for female-based rock music is well-documented and longstanding, even a fangirl like me can easily admit that riot grrrl and the punk scene more generally have long been a largely homogeneous affair, with a lack of racial diversity and inclusion among its iconic musicians and those who loved them. Partially inspired by Black History Month and partially by Beyonce's rendition of Alanis Morissette's classic at the most recent Grammy's (skip to 3:10 in the video), I wanted to showcase some women who defied narrow expectations and produced amazing music.