Last month, a 26-year-old woman known only on her site as Eva began posting video blogs about the way people treat her. Her reactions are displayed in the writing that accompanies the videos, there is barely any dialogue to the videos and rarely is Eva herself shown in them. Eva has Cerebral Palsy, she cannot speak and she gets around in a power wheelchair. Mounted to her wheelchair is a video camera, which says is always recording, that captures some rather disappointing interactions that she has with people who either ignore her entirely or patronize her to the point of frustration. While her reactions are not always evident in the videos themselves, the paragraphs she writes get her point across loud and clear.
It's the well-worn, short-yet-storied line that's become nearly cliché: "I'm not a feminist, but…"—one that's now some kind of standard midpoint in our culture's endless wrangling about the F word. Now "I'm not a feminist, but…" is being re-examined via comics in the forthcoming anthology The Big Feminist BUT, edited by Suzanne Kleid, Joan Reilly, and Shannon O'Leary. The anthology, which has a website, features comic artists' takes on what the editors call the "contradictory 'post-feminist' playing field" we're (apparently) living in today.
Page Turner interviewed O'Leary to learn just what it is about that big but that irks her and her co-editors, whether she thinks we really are living in a "post-feminist" playground, her picks of the best comics for comic-obsessed feminists, and (yes, it exists) sexism in the comics world. Read on for more!
While I'm personally in no way rattled by the acquisition/merger, I do think that it provides some opportunities to discuss gender, entertainment and marketing.
Marvel has over 70 years of history, and Disney will have access to over 5,000 characters (though the ones that have been mentioned most in the past week are the most profitable: Spider-Man, Iron Man, and the X-Men. Hmmmmm . … what could be missing here?)
The deal has included lots of business speak about "brands," "vertical integration," "long-term growth," "value creation," and my favorite, "synergy," (mostly because it reminds me of 30 Rock's Jack Donaghy telling Liz Lemon to "never badmouth synergy"). There certainly will be many opportunities for profit, but I'm interested in how y'all respond to the fact that one of Disney's major motivating factors has been securing a young male demographic.
As if gay marriage weren't sweet enough already, Ben & Jerry's and Freedom to Marry have teamed up to present us with Hubby Hubby, a renamed version of their popular peanut butter & pretzel-y ice cream. Check it out:
In which I ponder the pleasures and perils of having sex with your ex. Does familiarity--or a breakup--breed contempt? Or are your exes a valuable resource in what my friends and I call women's "anti-celibacy campaign?"
I'm vegan. I think cruelty to animals is unnecessary and unjust. I don't eat animals. I don't wear them. And I don't kill them for sport. However, Ella Es el Matador isn't a film about animal rights, and treating it as such does it an enormous injustice. I don't believe in prioritizing a conversation about cruelty enacted on bulls over one about cruelty enacted on women while discussing a beautiful and melancholy film exploring the world of bullfighting through the eyes of female matadors—so I won't.