But the reason I looked forward to True Blood is because the Sookie Stackhouse novels feature a disabled heroine. And, as a person with disabilities, that is something that I do not get to see very often. Despite the fact that we make up an estimated 20% of the population, our representation in film and television is quite small. This means that I rarely get to engage with a character who is like me, with whom I can connect because we share commonalities.
Tomorrow, some people from OPB's "In House" are coming to the Bitch office to ask us about our top five favorite albums of 2009. This means that we have been spending a fair amount of time racking our brains to come up with a serviceable top five list that won't reveal to the public radio-listening public that at least one of us (hi, that's me) has been mostly jamming out to Linda Ronstadt records from the 70s for the past six months (I guess you can't submit a 2009 top five list unless the albums actually came out in 2009?). At any rate, today's B-Sides is a test run of our top five list, expanded into a top ten. Read on to give us your thoughts!
According to Zimmerman's article "Hooking up's gender gap," the number of young women who saw Twilight Saga: New Moon (which was a lot) tells us that, "Girls want love, not just sex." And he got this from New Moon how, exactly?
I think I'd have a love/hate relationship with Karla Jay, were she my professor. As a Distinguished Professor of English and Women's and Gender Studies at Pace University, and the author of books like The Gay Report: Lesbians and Gay Men Speak Out about Sexual Experiences and Lifestyles and The Amazon and the Page: Natalie Clifford Barney and Renée Vivien, I have no doubts that she is my superior. She was writing about living as an out lesbian before I was born, so my respect for her is a given.
However, Karla Jay assumes that my generation is ungrateful. This isn't the first I've heard of this, but she does put her complaint quite eloquently in the current issue of In These Times. In an open letter to her students (and, presumably, young people everywhere), she writes:
While I'm as guilty as the next person for snarking on diagonal-cut
bangs (how do you see??), I'm concerned that at the core of the "emo" label is a judgment of both the validity and the presentation of another person's strong emotional expression. These judgments echo some of the ways that people with mental illness, especially mood disorders such as depression or bipolar, find their emotions critiqued and dismissed by others. Also, because the vast majority of bands
classified as "emo" are made up of males and have male vocalists, this is an especially easy way to police men's emotional expression. This is particularly problematic as men are already significantly less likely to seek assistance for mental health problems, so these ideas may encourage them to continue to suppress or conceal problematic emotions.
At first glance, the ominous poster made by the Swiss People's Party (SVP) seemed to me to be depicting a burqa-clad woman standing in front of a stockpile of missiles. The starkly dubious message being: Stop Islamic Fundamentalism. After reading the accompanying article on Al Jazeera (and than many, many more elsewhere), the poster took on a new meaning: This is what Islamophobia looks like.
A decade ago marked the start of the International Day for the Elimination of Violence Against Women (IDEVAW), a worldwide awareness raising campaign about the detrimental effects of institutional violence. Here's how the world celebrated on November 25, 2009. Be outraged. Be sad. Be inspired. Then be courageous.