I like cartoons, and watch several less-than-feminist animated series, but as far as Family Guy goes, I watched my last episode years ago, fed up with its recycled gags and the way it confused political incorrectness with edgy humor (has somone already made the joke "So crass, so old" about Fox's new "So brash, so bold"? Probably?). But the show, and creator Seth MacFarlane's spinoff shows The Cleveland Show and American Dad are, incredibly, still airing. Of course, to sustain the same offensive jokes over the course of three very similar shows and numerous seasons, its creators have to devise punchlines that are equal parts lazy and offensive, and most recently, at the expense of trans women in Sunday's episode, "Quagmire's Dad."
Mad World fans, take note! In cooperation with PSU's Women, Gender, & Sexuality Studies Department, we're hosting a Mad World intergenerational community forum!
Compromising Positions: Race and Sex in Advertising, A Mad World Intergenerational Community Forum
June 1, 2010 / 6:30pm
Portland State University Smith Memorial Ballroom
1825 SW Broadway, Portland
Now you may be saying to yourself, "But Kelsey, this is a weekly discussion blog, not a place for you to talk about events! And besides, lots of us don't live close enough to attend!" Well, right you are to say those things to yourself. But take heart, because what this particular post is for is to get us talking about the forum topic: race and sex in advertising. (Though we really do want you to come to the forum, too!)
Hi there! I'm Rachel McCarthy James. In most internet-type contexts I go by RMJ. I write and edit the recently-revived feminist blog Deeply Problematic, and I'm here to talk to y'all about some TELEVISION. Read on for some thoughts about Television, in general!
Since we're already piling up the posts about both mothers and
pregnancy, now seems like a good time to issue a call to action on an
issue that doesn't usually come up when we talk about reproductive
rights: home birth.
The 2007 documentary The Business of Being Born
was, for many women (and men) an eye-opening look at the increasing
medicalization of birth in America and a compelling illustration of the
way midwife-assisted home birth can be a powerful alternative to the
standard hosptial delivery. The film—which was produced by home-birth
advocate Ricki Lake—along with books like Jennifer Block's powerful and
well-researched Pushed: The Painful Truth About Childbirth and Modern
Maternity Care, brought the subject of home birth out of the fringes
and into the mainstream. Soon enough, home birth was a hot topic in the
pages of the New York Times, Ricki Lake and BoBB director Abby Epstein's book Your Best Birth was published, celebrities like Cindy
Crawford, Demi Moore, and Lisa Bonet were testifying to their own
home-birth experiences, and birthing tubs were flying off the
Internet's virtual shelves.
I've hesitated about tackling this particular topic, but with the recent proximity of Mother's Day and the 50th anniversary of The Pill, I figured there was never going to be a better time to address it. My hesitation stems from a reluctance to drag biology into the equation and to bring up some unpleasant home truths that can't be advocated or educated away.