Carol Kaye is one of the most prolific pop music musicians you've never heard of. She and her 4-6 strings have backed some of the most popular songs, movies, and television series of the past fifty decades, and can be heard "These Boots Were Made for Walking," guitar on Lesley Gore's "It's My Party" and Richie Valens "La Bamba"...among others!
"I am naturally fond of adventure, a little ambitious, and a good deal romantic-but patriotism was the true secret of my success."
Sarah Emma Edmonds, one of only about 400 women known to have served in the military during the U.S. Civil War, was not even an American—though she risked life and limb in the name of "patriotism" to serve the Union cause for nearly two years as a soldier, nurse and spy.
There's a great piece in this Sunday's New York Times Book Review by Katie Roiphe regarding the inclusion of sex in novels by American male writers over time. Roiphe argues that it's a generational difference, as writers like John Updike and Philip Roth would be very explicit and close to raunchy in their fictitious encounters, while newer authors like Dave Eggers shy away from racy jaunts and, instead, focus on relationships.
But what interested me the most about this piece was the note Up Front from Roiphe, who said that while male writers are writing less openly about sex, women and gay writers are much more open to experimenting with it now, and how the feminist revolution is largely to thank for some of the change.
I don't know about you, but I see being a stay-at-home parent as a job,
and it's sort of insane that it's one of the few workplaces where you
get on-the-job critiques from total strangers via a talking box. Sure,
you can turn off the TV, but why should you have to?
The time has come for the Transcontinental Disability Choir to say farewell, with a rousing thank you to Bitch for hosting us, and to the Bitch commenters who engaged with our posts and had such interesting thoughts and comments to add.
It's easy to point fingers at narrative television sometimes and claim the writers are foisting outdated and unfair gender roles onto the audience and therefore, by extension, society. Reality TV pokes a lot of holes in the Big Hollywood theory, because the people who thrive on reality TV are the ones who are crafting -- and benefiting -- from a stock trade in stereotypes.