A photograph from Shadi Ghadirian's "Qajar" series.
I planned to write only about Sara Rahbar today, but in researching her and her work I found a few more amazing Iranian artists highlighted in the Saatchi Gallery's 2009 exhibition "Unveiled: New Art From the Middle East". This post will only feature Rahbar and Shadi Ghadirian, but I urge you to check out the work of Shirin Fakhim, Tala Madani, Laleh Khorramian and the other very talented artists from that exhibit.
The other night, I found myself sitting in a concert hall with a thousand other people having an absolutely A+ time at one of the few North American dates on the farewell tour for Euro pop icons a-ha. Yes, a-ha. No matter that I'm not old enough to have fully appreciated their short-lived American heyday (although they've never ceased to be a presence on the other side of the Atlantic) in the mid-80s. I learned about them via the Pop-up Video treatment ( I'm sure there are even readers who are too young to appreciate that show) of "Take on Me" and more seriously, their concert participation in Live 8.
As I sang along with "The Living Daylights" and "The Sun Always Shines on TV," I started thinking about nostalgia. Specifically, Gen Y's relationship to nostalgia. I can't be the only one to see that the proximity of what counts as bygone days has been increasing dramatically in recent years.
HaskinsWatch (TM): bringing you Sarah Haskins news whenever there is any.
There's been a gaping lady-hole (i.e. lack of coverage of women) on CurrentTV's infoMania since Sarah Haskins stopped making "Target Women", but now that lady-hole has been filled by new contributor Erin Gibson with the very similar segment "Modern Lady"! Haskins made the introduction formal by passing down The Golden Tampon to Gibson (which begs the question: why don't I have a giant golden tampon? Etsy, get on this). Videos after the jump!
I like cartoons, and watch several less-than-feminist animated series, but as far as Family Guy goes, I watched my last episode years ago, fed up with its recycled gags and the way it confused political incorrectness with edgy humor (has somone already made the joke "So crass, so old" about Fox's new "So brash, so bold"? Probably?). But the show, and creator Seth MacFarlane's spinoff shows The Cleveland Show and American Dad are, incredibly, still airing. Of course, to sustain the same offensive jokes over the course of three very similar shows and numerous seasons, its creators have to devise punchlines that are equal parts lazy and offensive, and most recently, at the expense of trans women in Sunday's episode, "Quagmire's Dad."