As far as human emotions go, if the 2004 elections were about fear and the 2008 elections about hope, it seems fair to say that the 2010 midterm elections have been about anger. Anger at the government for what's perceived as a weak economy. Anger at Congress, either for not getting enough done, or for turning the country into a cesspool of socialism, depending on one's political leanings. Anger at immigrants, who are so crafty to get into the United States that they'll even crawl under fences that aren't on the border with another country (at least according to the ads in Louisiana and Nevada). Anger at liberals and their long affair with taxes. Anger at gay people. Earlier this week Mother Jones ran a cover with Sarah Palin in the image of the '50s movie poster, Attack of the 50 Foot Woman, to attempt to show how middle class anger is so fever-pitch high that people are talking about voting against their own interests, and what was the response? Anger that they would replicate such a sexist image.
Fresh off the harddrive, this episode of Bitch Radio features women from the Make-Believe issue of Bitch! If you're into women who make pop-culture collage art (say, Sonja Ahlers, author/artist of The Selves), who make it in Hollywood sans plastic surgery or selling out (I'm talking about the hilarious Jamie Denbo of Ronna and Beverly, Weeds, and Best Buds), who document the riot grrl movement (maybe Sara Marcus, author of Girls to the Front), or who use what most people consider a nerdy pastime for social change (like LARPing expert and player Sarah Bowman), then you should not miss this podcast! Plus it features music from Twin Sister, whose latest EP, Color Your Life is available from Infinite Beat records and they are currently on tour with the Morning Benders. .
Stream it below, subscribe on iTunes or RSS, or download at archive.org. Transcription available here (.doc). (Thank you, Katie!) Script after the jump.
Along with the rest of the ladycentric internet this week (including Bitch), I've been following the kerfuffle over Maura Kelly's post at Marie Claire about how disgusted she is by fat people. The post, ostensibly, is about the television show Mike & Molly, which is a romantic sitcom about a couple that meets in an Overeaters Anonymous meeting. The creator of the show has already fired back, noting that Molly will perhaps cancel her subscription to the magazine in an upcoming episode, and making the point we've all been thinking: the show "is just about human beings."
As to the merits Mike & Molly particularly, I have only this to say: I watched a couple of episodes at the beginning of the season, thinking I might cover it for the blog, but ultimately the show itself is very bad, and very bad shows don't tend to provide me with much meat for critique. So I let it go.
As many of you know, we've been hosting Mad World here on the Bitch blogs (and around town) since March, and we've had a great time discussing advertising, gender, and identity as a part of this series. However, as Johnny so eloquently said to Pony Boy, "nothing gold can stay." (OK, so he was quoting Robert Frost, but the cuteness of the young Ralph Macchio means we're going with the remediated version.) Our Mad World series is coming to a close, but that doesn't mean we're going to stop with analyzing ads. We'd never do that—it's our mission to bring you a feminist response to pop culture!
By the end (I'm hoping not for good, but for now, anyway) of Sleater-Kinney Corin Tucker's voice was a finely honed weapon, full of deep, slow, sexy soul and capable of an earsplitting wail, a bonechilling snarl, a rock'n'roll howl that didn't so much as defy gender as rip the guts straight out of it.
Her new record, 1,000 Years puts that voice front and center, without the thrash that made The Woods so threatening at the time.