While the news media focuses on the debate between the two primary political parties on tax cuts and who should receive them, both in the lame duck Congress session and in the next session, organizations like NARAL are preparing for a different fight over tax dollars and tax penalties—those related to reproductive rights. If pro-choice people are congratulating themselves on the second landslide vote in Colorado against outlawing abortion, they may want to shift into preparing for this winter's fight over abortion. And much of this upcoming debate may have been brought about by the Democrat's biggest win last session: the health care reform law.
The top-secret, on lock-down Confidential issue of Bitch magazine is hot off the press! And before it even hits newsstands (or mailboxes for our wonderful subscribers), you can read three! new! articles! right here on the Bitch website. Has nostalgia mucked up our remembrance of Betty Friedan's The Feminine Mystique? Eryn Loeb takes a look in "Past Imperfect". Discover the disturbing new trend of "stay-at-home daughters" in "House Proud," a feature by Gina McGalliard (accompanied by a beautiful paper-cut by Lorraine Nam). And get the scoop on Reality Bites Back, Jenn Pozner's new book on reality television's evil empire in the exclusive Q&A "Remote Control."
Don't forget--you can always sink your teeth into new and old articles from the Bitch magazine archives on our Articles page!
As if being a completely fictional model of unobtainable feminine domesticity weren't enough, Betty Crocker has sealed her fate as a Douchebag Decree recipient with the new PMS SOS iPhone app. Ladies, are you PMS-ing? Betty Crocker can help. By giving you coupons for brownies and tips for "crafting an apology." Oh, and there's a version for guys too!
A lot of complaints about MFA programs start with the assertion that writers should be "living," instead of going to school….If going to graduate school was supposed to provide me with some kind of injunction against "real life," against emergency phone calls from friends and family, physical and financial threats and challenges faced by people I love, money worries, racism, heartbreak, and the uncertainty of living in a world that seems constantly on the brink of large scale disaster, then the Iowa Writers' Workshop has some serious explaining to do, because I never got my exemption paperwork.
Evans doesn't spare the characters of her debut short story collection, Before You Suffocate Your Own Fool Self (Riverhead), from these problems either.
As 2010 draws to a close, it's the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don't need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Bitch supporter/subscriber/active community member TheBadassMuppet explains why she ♥s Bitch.
When my first-year college professor recommended Bitch magazine in 2004, I was skeptical. While the colloquial definition of "bitch" can be vague, it was a word which had been used to deflate me a number of times, by everyone from conservative family members to online creeps whose comments I had left unanswered. Still, the magazine attracted me. After all, I considered myself a feminist – the word reminded me of Dorothy Allison, characters played by Julia Stiles, and my ten-year-old indignation at a tennis instructor assuming I couldn't play—but I hadn't known feminist forums still existed, let alone an ongoing feminist publication.
Writer-director Spike Lee is a contentious figure, especially regarding gender politics. His debut feature, She's Gotta Have It, established this reputation by depicting rape as consensual between the polyamorist female lead and her vindictive partner, resulting in bell hooks' seminal essay, "Whose Pussy Is This?" In subsequent releases, Lee has been criticized as sexist, misogynistic, and homophobic in his constructions of relatively unformed, castrating women and the limited narrative arcs they traverse. Thus, many detractors may not think a movie of his could pass the Bechdel Test, much less have a complex black girl character at its center.