Well, what do you know? I was just gearing up to write a post about
the Bitch library's recent acquisition of a full set of Sassy magazines—the
first issue! the Kurt 'n' Courtney issue! All the issues!—which were a
gift from the fabulous Rita Hao, forever friend of Bitch and a member
of our National Advisory Board. And then the news came down the
Intertubes that tiny wunderkind style blogger Tavi Gevinson will be
teaming up with founding Sassy editor Jane Pratt to launch a new teen
magazine at some point in the not-too-distant future. According to a
somewhat vague post on Gevinson's blog, Style Rookie:
guys may know how I feel about Sassy. You also may know that I've been
babbling about how I think our generation should get one, too. Jane
Pratt, founding editor and then EIC of Sassy, also became aware, and
emailed me, and we've met a couple times, and it looks like we're going
to start a magazine for an audience of wallflowerly teenage girls.
(I am trying so hard to be cool and professional right now.)
(Trying. so. hard.)
Of course, it won't be Sassy (or the rebirth of Sassy, or Sassy
2.0) and nor do we want it to be. For one, you can't try to recreate
something that good. For another, while I can read old issues of Sassy
and relate, the world has changed a bit in the past 15 or so years, and
that whole Internet thing happened, and this world calls for something
different. Something that will use Sassy as a point of reference for
the whole teen-magazine-that-doesn't-suck thing, and something in which
Jane Pratt will take part, but something that is not trying to recreate
the other something a bunch of us love and don't want to see copied.
Today's entry is one of two movies in the series that is part of a trilogy. It is particularly noteworthy for following an installment that gets more critical attention. Frankly, I think Park Chan-wook's Oldboy is massively overrated. It seems strange to me that Hollywood has attempted to remake it so many times since its 2003 release, though its densely choreographed action sequences and emotional bombast elucidate its stateside mainstream appeal. The feted second feature of the Korean filmmaker's vengeance trilogy is celebrated for its grim subject matter, varied cinematic style, composer Jo Yeong-wook's sophisticated score, and emotional nuance.
Lady Vengeance has all of these elements and far surpasses Oldboy in its ability to dazzle and unnerve.
In the Republican primary for Alaska's Senate seat last summer, Joe Miller beat Lisa Murkowski by the razor-thin margin of 2,000 votes, or less than 1 percent of the total ballots cast. This would have signaled the end for the vast majority of losing candidates, but when Murkowski was asked, again and again, to launch a write-in campaign by residents who apologized for not voting on primary day, she sat down with her extended family to talk it over. Against pollster and campaign experts' advice, and against the wishes of her own Republican Party, she launched a write-in campaign against Joe Miller. As of this weekend she is leading her GOP opponent by a little more than 11,000 ballots. If Murkowski wins, it will be the first write-in win for the Senate since Strom Thurmond did it in 1954 in South Carolina.
This week on Grey's Anatomy: Fisticuffs, fresh locks, and crying before bedtime! Dr. Bailey can't catch a break, Dr. Karev's past is bubbling up, and Dr. Yang turns to Dr. Visa for a little retail therapy.
Find out what the Grand Rounds bloggers think about it all, after the jump! (As always, expect spoilers beyond this point.)
Relative to Breillat's other movies, 2001's Fat Girl is fairly tame until its problematic conclusion. Documenting the misadventures of fifteen-year-old Elena (Roxane Mesquida) and her younger sister Anaïs (Reboux) while on a family vacation, the movie highlights the disparity between the girls' attitudes toward sex despite their shared virginity. The older sister, who is slender and conventionally attractive, is interested in entertaining men's spirited advances and harbors a romantic naïveté when embarking on a dalliance with Italian law student Fernando (Libero De Rienzo) that she mistakes as more than a fling. Though only twelve, Anaïs, whose beauty is often ignored because of her size, is far more cynical. She wants her first time to be with someone she does not love and watches in horror as her sister gets played, her warnings ignored.