Sophie Goldstein and Jenn Jordan are the creators of the mythological and mundane webcomic Darwin Carmichael is Going To Hell. According to Jenn: "Darwin Carmichael lives in mythical Williamsburg, the coolest of burroughs, populated by hipsters, minor deities and a host of preposterous creatures. The day-to-day of Darwin's world is much like ours, concerned with making ends meet, dating, and the like." DC is a very fun strip with a fantastic visual sense. Learn more about it after the jump!
I started this series with a strained and cheesy Doctor Who reference, and today's title was me finishing with one ("Silence in the Library," for those playing at home). Let's try and move on from my sparkling wit to discuss which kinds of books and writers get to grace bookshelves, and the social and economic processes governing this. Who gets published and who does not? Whose work gets preserved? Who gets into libraries and bookstores? Who gets to be an icon?
Steve Harvey's making headlines once again—not because of his underwhelming relationship advice but because his ex-wife Mary has called him out for cheating on her and leaving her with nothing when they divorced in 2005. Who knows if her allegations are true, but they've certainly undermined Harvey's credibility. This is good news for black women, I think.
Okay, full disclosure, right up front: I'm a babysitter. Like, professionally. So maybe my fascination with the history of this job comes from a place of pure self absorption. Then again, there's a good chance many of you readers have been babysitters at some point (BSC-inspired flyers around the neighborhood advertising your services? A totally undesirable but obligatory gig watching a younger family member?), and besides, the history of the babysitter brings up some issues much larger than diapers and bedtime, like our culture's anxiety with the financial and sexual independence of girls.
PJ Harvey is no stranger to this blog. She has consistently distanced herself from feminism as such, but our love for her is inescapable. Her music is about independence—from marriage ("The Pocket knife,"), from judgement ("Who the Fuck?")—and her vision for her autonomous career has never faltered in 20 years of music-making. Now she's got a new album, Let England Shake, coming out February 15th, and a short film to be released with EVERY SONG on the album! If you, like me, believe there is no such thing as too much Polly Jean, this is the B-sides for you.