One of the things that's really persistent in electronic music is the idea of female artists as proteges, molded, shaped by a man behind the scenes. As Joanna Russ detailed in How to Suppress Women's Writing, women's contributions to culture are actively suppressed. A man must have written that book, or those lyrics, or song. That "makes sense," to a culture that values men's creativity over women's.
I fall more in love with the work of Catherine Eyde every time I look at her art. Her colorful renditions of women, creatures and landscapes both ordinary and fantastical walk the line between twee and haunting, like a gorgeous, uneasy mixture of Grimm's fairy tales, Alice's Adventures in Wonderland and feminist sci-fi.
But there's even more that makes the Reverb issue absolutely fabulous—it's Bitch magazine's 15-year anniversary, and we've printed three different, limited-edition covers, one of which will be landing in your mailbox! Check all three covers out here!
Since those early days of running around doing Batman-themed dressup, Batgirl has been my favorite superheroine.
She's less cutesy than the Sailor Scouts, nerdier than Nightshade, wears more clothing than Wonder Woman, and has a greater variety of super abilities than my second-favorite superheroine, Storm (but it's really close, so don't hate on me, X-Men fans).
I spent my weekend hanging out at FOC (Females of Color) FEST, a new Portland-based festival celebrating musicians of color from the West Coast. Two nights of bands in an empty bike shop may sound meager for a music festival, but by the time 2am rolled around on Saturday night I was completely exhausted (in a great way) from the weekend of awesome music.