We've spent quality time assessing the lead-in and results of the 2010 US midterm elections, and now that we're on the cusp of the 112th Congressional Session, I'd like to turn our attention to another level of civic participation: contact with our representatives and senators. After all, we are all someone's constituent, whether they received our vote or not. But more than finding resources to their phone numbers and email addresses, let's take a look at how to keep on top of the Congress schedule.
"I know what racial oppression feels like... my ancestors were Irish." "Assuming I have male privilege.... is sexist." If you missed out on the short-lived but prolific Tumblr page of Privilege Denying Dude (a series of images that used a stock photo of a white dude sandwiched with all-too-familiar privilege-denying text, like that seen here)—you missed the beginning of a genius appropriation of a popular meme (or internet trend) that shoveled smarm back in the face of the privileged cluelessness that litters YouTube and social-justice blog comment threads alike (not to mention IRL). What started as a simple trend went viral, with thousands of submissions (all with their own unique manifestation of privilege!) coming in . But due to a terms of violation with the image used, Tumblr shut down the site last Friday.
B-Sides Bonus! Because I couldn't figure out a way to fit this into my Robyn post, but I didn't want you to miss out on a brand new Mirah video! After all, not only is Mirah awesome, but this is just her second official music video ever! Check out "The Forest":
Our undying love of all things Robyn is no secret. Her catchy jams, fembot sensibility, and all-around awesomeness make her impossible to resist! So of course I was unable to resist attending her show here in Portland over the weekend, and I'm glad I didn't. More after the jump!
(Here is a video of Robyn's grand finale performance, a mash-up of—wait for it—"Dancing Queen" and "Show Me Love"! FYI, I was too short to record video at the Portland show, so this is from an earlier appearance on the same tour.)
As 2010 draws to a close, it's the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don't need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Allison Sneider, a member of the Bitch Media Board of Directors and author of Suffragists in an Imperial Age: US Expansion and the Woman Question, 1870-1929 explains why she ♥s Bitch.
The first time I came across Bitch, I was looking through magazines in the supermarket. I flipped through it and thought, "This is coming home with me!" As an academic teaching women's history, I am involved in many conversations about feminism. But outside the academy, these conversations seem to disappear. I love that Bitch Media, through the magazine, library, blogs, podcasts, forums and more, brings this conversation outside the walls of academia and to a diverse and growing community. Bitch is a conversation worth having.
Harry Potter and the Deathly Hallows came out last week, and it's pretty safe to say that most of the universe has witches (and wizards) on the brain. The blockbuster success of the Harry Potter franchise is not all that surprising, though, considering that humans have been obsessed with witchcraft both real and imagined for millennia. One of our favorite things to do throughout history has been to accuse social outliers of one form or another of being witches, whatever exactly that means.
You know those stickers that say, "Well-behaved women rarely make history"? Well, they also rarely get into the history books without getting called a witch at some point along the way. Go figure. This week, I've rounded up some historical figures of varying degrees of renown who would, according to their detractors, have fit right in at Hogwarts with Hermione, Ron, and Harry.
I have some misgivings about entering into the fourth week of the series and only now addressing a picture with a transgender protagonist. These concerns are made worse by the cruel dramatic irony that the main character in Southern Comfort is a man who dies of ovarian cancer. It is complicated by the fact that the selection in question is also the first documentary I have considered for the Bechdel Test Canon. I meet most documentaries with incredulity, encountering components like editing with skepticism rather than regarding the finished product as truth.