Music

Love Guns, Tight Pants, and Big Sticks

Article by Juliana Tringali, Illustrated by Nicholas Brawley, appeared in issue Masculinity; published in 2005; filed under Music; tagged beauty standards, groupies, hair bands, heavy metal, masculinity, misogyny, rock, Rolling Stone, women in rock.
Who Put the Cock in Rock?

cock rock: To some, the term conjures up images of rock gods in white jumpsuits, long hair haloed by a rainbow of lights, fans waving their Bics in unison as an immaculate guitar solo screams out from a tower of amps. To others, it evokes backstage legends of drugs and debauchery, the triumph of malecentric hedonism over social conscience, the unapologetic celebration of sleaze. To still others, it’s shorthand for memorable riffs with a backbeat that makes you want to throw some devil horns and bang your head.

Editors' Letter: Music

Whether a music writer makes a living marshalling lyrical evidence for supposedly new trends or manufacturing arguments to shore up tired clichés—and whether you applaud women's progress in the musical arena or not—one thing's clear: Women in music, prevalent as they may be, are consistently positioned as an aberration or an exception. Even the phraseology is troublesome: "women in music," "women in rock," and the erstwhile "year of the woman" (thanks for the generosity, guys).

Teen Girls + Boy Love Dolls = Tru (heart) + $ 4Ever

Teen Girls + Boy Love Dolls = Tru (heart) + $ 4Ever
Article by Andi Zeisler, , , Illustrated by Patti Rothberg, appeared in issue Music; published in 2001; filed under Music; tagged boy bands, marketing, music history, music industry, pop music, teens.

Pop-sensation lifespans have been shrinking since the dawn of pop sensations, but the power of the boy band has proved enduring. These prefab crews of scrubbed, smiling teens busting a synchronized move to manufactured beats have a special place in pop – music history and in the hearts—and notebooks and lockers—of their (mostly female) fans.


Action Jackson

Action Jackson
An interview with Kate Schellenbach by Tom Kielty, published in 1999; filed under Music; tagged Beastie Boys, female artists, Lilith Fair, Lollapalooza, Luscious Jackson, music festivals, music industry, record industry, women in rock.
Luscious Jackson's Kate Schellenbach on Blondie, basketball, and building her own musical all-star team

Kate Schellenbach is cool. Cool not because, after starting the fanzine Cheap Garbage for Snotty Kids in the early '80s, she was the first to take a seat behind the drum set for the Beastie Boys. Not because nearly 10 years later Luscious Jackson, the band she formed with friends from New York clubs like Hurrah and Tier 3, was the first band signed to the Beasties' Grand Royal label. Not even because since putting Luscious together the band has shared stages with the likes of Bettie Serveert, Urge Overkill, and R.E.M. Kate Schellenbach is cool in that intangible way that the person you chat casually with in the bookstore is cool—she’s smart, funny, and unassuming. On the verge of Luscious Jackson's national tour with labelmate Ben Lee, supporting their new record Electric Honey, the band played a radio show broadcast from Foxboro Stadium outside Boston alongside the Pretenders, Natalie Merchant, Sugar Ray, Melissa Etheridge, and Blondie. In between playing her set and jetting back to the stage to rock out to the Pretenders, she found time to have lunch with me.

Bitch Suggested Listening #1

Reviewed in this issue: Red Aunts, #1 Chicken (Epitaph); Cub, Betti-Cola (Mint); Cibo Matto, "Birthday Cake" b/w "Black Hole Sun"; Liz Phair, Juvenilia (Matador); Team Dresch, Personal Best (Chainsaw/Candy-Ass)
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