Browse

Urban contemporary art magazine Juxtapoz's November issue is the Robert Williams issue, a big-hitter in the underground comics scene and the magazine's founder. Oh, and he drives feminists up the wall with the way his artwork objectifies women. *NSFW and possibly triggering images after the break.*

“Rave On” is the Page Turner series that asks feminist writers, artists, musicians, activists, leaders, and scholars to talk about a book that completely rocked their world. Today we feature media activist and writer Anne Elizabeth Moore on the Dirty Plotte comic books by Julie Doucet.

I don’t spend a lot of time reading feminist theory, which speaks to an inherently limited audience. I study anti-oppression strategies in general, so most of what I’ve read that’s influenced my drive as a political person who identifies as female isn’t overtly feminist.

In fact, I find far more use in work that’s not usually discussed in a feminist context, like Freire’s Pedagogy of the Oppressed. Or books that sort of rail against feminist projects or events and address its weak points, so I can sort out where those sit with me. Like Norma McCorvey’s I Am Roe.

But if I really think about something I read that made me gack with identification—that spoke to me in a pretty deep way about being a girl in the kind of world I was living in—it would have to be Julie Doucet’s Dirty Plotte comic books.