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  • Article (2)

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  • 2000 (1)
  • 1999 (1)

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  • autobiography (1)
  • bugs (1)
  • child abuse (1)
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  • comics (1)
  • female artists (1)
  • impromptu strip show (1)
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  • Michelle Tea (1)
  • Michigan Womyn’s Music Festival (1)
  • on the road (1)
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  • poetry (1)
  • sexualization (1)
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Why Don't We Do it in the Road?

Seven weeks on the Sister Spit tour
Article by Kira Garcia, appeared in issue Issue #11; published in 2000; filed under Art; tagged bugs, impromptu strip show, lesbian icons, Michelle Tea, Michigan Womyn’s Music Festival, on the road, on tour, performance, poetry, the south.

the traveling spoken-word gang Sister Spit started five years ago as a weekly open mike where grrrly-type poets and performers could ply their trade at San Francisco bars and coffeehouses. In 1997, co-ringleader Michelle Tea, author of the charming and intimate memoir The Passionate Mistakes and Intricate Corruption of One Girl in America, and her partner-in-crime Sini Anderson, who has rocked poetry scenes from subway stations to Lollapalooza and everywhere in between, kicked off the annual Sister Spit Road Show.

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Drawn from Memory

an interview with Phoebe Gloeckner, artist, storyteller, freaky mama
An interview with Phoebe Gloeckner by Andi Zeisler, Lisa Jervis, appeared in issue Fighting Back; published in 1999; filed under Art; tagged autobiography, child abuse, childhood, comics, female artists, sexualization.

“I never intended this book to be published,” writes Phoebe Gloeckner in the introduction to her new collection, A Child’s Life and Other Stories. Perusing these finely drawn, mostly autobiographical comic works, which span twenty years, it’s not difficult to see why its creator might be wary of foisting her stories on a public whose idea of an enjoyable narrative is Titanic. Gloeckner’s unsparing memory and painstakingly detailed pen-and-ink drawings of family dysfunction, childhood cruelty, and queasy sex make for seriously disquieting reading. The book takes us through the years with Gloeckner’s alter ego Minnie, whose childhood is dominated by her overbearing, ogling stepfather and whose adolescence is spent on the streets of San Francisco in a morass of unsavory drugs and even less savory men.

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