The underground rock scene used to be something of a "boys only" club, despite the efforts and talents of a great many amazing female musicians. Even as late as the mid-nineties, the all-female Lilith Fair rock festival seemed necessary as a showcase for the women who managed to shred their way through the flannel-swaddled man-zone of grunge. But after attending Sunday night's Dark Was the Night show at Radio City Music Hall, it seems to me that maybe women are approaching parity at the top of the indie rock scene. (More, plus a video of the amazing finale, after the jump.)
In recognition of International No-Diet Day, I present you with a rundown of recently released diet- and weight-related books, including a bit of the good, bad and ugly. First up, Hungry Girl (it's as bad as it sounds...).
More after the jump, including the light at the end of the dieting tunnel...
The folks at ABC World News released the second segment last night in a series they're calling "The New Gender Rules." Apparently, men are being hit harder by the recession than women (though many sources say otherwise) because male-dominated fields like engineering and finance are where the majority of jobs are being lost. This, according to "The New Gender Rules," is causing a wacky shift in traditional gender roles. Guess what? Gender inequality is gone because of the recession! Goodbye sexism! Helllooo postfeminism!
Check out the first segment in the series:
The second segment, and the reasons why this series might not indicate a complete erasure of gender roles (insert sarcastic eye roll here), after the jump!
I first saw a selection of the Gee's Bend quilts at The Museum of African Diaspora in San Francisco.
I'd never had anything against quilts before that, they just never
struck me all that much. I couldn't deny that socially, they can bring
women and family together in making and sharing them, but the generally
rigid/symmetrical patterns, and often pastel colors and mixed floral
prints, didn't grab me. But when I laid eyes on a Gee's Bend
quilt for the first time, I was truly moved by not just the story
behind it, but moved on a gutteral level by the beauty of the object
After years of a successful law career left Nigerian Temituokpe Esisi frustrated at her country's stagnant economy, she decided to switch careers to help empower other women by starting her own tailoring and fashion design business, Tuopsy's Enterprises, that would not only employ women, but also provide them with an education to help them better their own circumstances.
A few weeks back, Kelsey blogged about Asher Roth's heteronormative, hypermasculinized, fratboy-centric conception of college. Though Kelsey deemed Roth to be singing in a serious as opposed to satirical tone, I couldn't help but suspect that despite a Wikipedia page corroborating Kelsey's assertion, Roth was cleverly fooling us all and someday he would reveal his true identity as a down-to-earth funny guy who just wanted to make some sort of social commentary on stereotypical white upper middle class college student culture. Had this been the case, I could have continued to enjoy what I thought might be a mockery of said stereotypical white middle class college student culture, but alas, Roth's music is for realz and the popularity of "I Love College" is on the rise.
A few years ago, I found a book-length literary magazine, Conditions:Five, amongst the discarded and donated books on the shelves in a local coffeehouse. I skimmed through it that day, just long enough to finish my cup of chai, before placing it back on the shelf. At the time, I had no idea that I'd held such a rich piece of history in my hands.
One of the web's longest running participatory art projects came to an end last week. For seven years, Learning To Love You More cataloged art "assignments" ranging from photographing strangers holding hands to acting out someone else's argument.