On their 2006 release Zombie Terrorist, Partyline declared, "we're scared of zombies, not terrorists" and "yeah I had a mother, she taught me to want more than that". Yes please. Formed in Washington DC in 2004 by Allison Wolfe of the iconic Bratmobile, Angela Melkisethian and Crystal Bradley, Partyline has a sound reminiscent of riot-grrrl era call and response lady punk. Party, apparently, is tied to the actual act of partying and also to the political connotations of the word, which sums up the aesthetic of the music. You will dance while being educated, end of story. The ladies literally just finished up a tour with Portland, OR rockers Shebeast and just around the corner is an East Coast Tour with Noisy Pig. Watch a video and become a fan after the jump!
If you haven't been watching America's Best Dance Crew this season, it's time to start. For those out of the loop, ABDC (as it is known in the in-crowd) is a dance competition show on MTV that combines crew battles and audience voting to determine, well, America's best dance crew. Sure, the show is a little corny, and the awesome Artistry in Motion crew was eliminated last week despite their body-positive message, but ABDC has a lot to offer the feminist television viewer. The show focuses on teamwork and togetherness as opposed to the abilities of certain individuals, and every week they give the teams a different challenge (the Beyoncé challenge was particularly kickass). The real reason to watch, though, is Vogue Evolution.
America's Best Queer/Gay/Trans/Vogue/Activist Dance Crew!
The trailer for The Moon Inside You begins like a bad Dan Brown-zombie flick: "A curse on half the planet...a secret kept too well....so...much...blood." Thankfully, the world's in for one less crap slasher and in for a humorous new approach to talking about what most of us hate talking about...periods.
From the looks of the rest of the trailer (available on the film's homepage), the movie will be a mix of personal stories (a group of women share histories of problematic periods), humor (two oblivious women walk around with comically-soaked crotches), irony (a professional man, completely straight-faced, states, "It's a phenomenon humans share with other apes...and old world monkeys"), and cultural analysis (clips from the Carrie, anyone?)...to say nothing of the belly-dancing classes and claymation scenes.
Caster Semenya is fast and strong and far from dainty. When it came to light last week that an athletic organization was secretly testing her sex, the sports world and mainstream media got a refresher course on an important reality: while our society tries to strictly divide people in male and female, the science of sex is far more murky.
South African Semenya is shaping up to be one of the fastest runners in the world, but if the International Association of Athletic Federations' (IAAF) forced battery of tests (including a gynecological exam) find she's too "male", she could be stripped of her medals. The IAAF stopped mandating the outdated sex tests for athletes back in 1992 and the reasons for testing Semenya range from fairness to racism, depending on who you ask.
Over at the Huffington Post, Jane Devin points out that males whose genetics make them sports stars are groomed and applauded, not subjected to embarrassing tests. You have to ask—if Semenya had thinner shoulders and a more delicate chin, would her competitor's allegations ("Just look at her," sniped a fifth-place finisher at a recent race) be given legitimacy for even a second? I think not.
Today I bring you another burning question from the mailbag:
From a reader who wished to remain nameless: Outdoor Sex: pro or con? as an outdoorsy-girl, I always fantasized about doing it in a big field, but each time I've tried it, I've been poked in weird places with odd plants and bumps (even through a blanket & sleeping pad), or stressed about potential hikers, or something else. It's just never been as good as I'd hoped. What about you? Good question! I like the outdoors, and I like sex. Are they two great tastes that taste great together?
A few days ago I was chatting with my dad about our various writing projects.
Dad: You know how you've been writing about Quentin Tarantino?
Dad: You know he used to work in a video store?
Dad: And you used to work in a video store?
Dad: Well there you go.
Well there I go. Once upon a time Quentin Tarantino worked in a video store – and so did I.
Today I write about pop culture, and Tarantino makes it.
There you go.
Tarantino's latest film also begins "Once upon a time . . ." and as to be expected, reactions to his "movie movie universe" movie, Inglourious Basterds, are once again as mixed as his genre conventions.
Though I didn't explicitly say so in my recent threepartpost here for Bitch exploring the question of feminism in Tarantino's work, I'm a fan – a cautious, conscientious fan, who recognizes that his work is problematic on many levels. For me, the combination of the issues in his work, and the visceral pleasure of the movie experiences he creates, presents a conflict that is worth exploring. Additionally, and I think this is crucial to my experience and interpretation of his work, he is a movie-maker of, and pop culture influence on, my generation. Pulp Fiction is as much a marker in my life as Star Wars, Goonies, or Trainspotting, Wonder Woman, 90210, or Buffy the Vampire Slayer.
Tarantino and I may not have grown up watching the same movies, regardless of our once-upon-a-time employ, but his work has led me to his influences, which in turn have furthered and enriched my relationship to popular culture.
Sackville-West was a woman with 'high class' problems — but her story
is interesting nonetheless. Vita was, in addition to her default
socialite status, a writer of prose and poetry, an avid gardener,
Bloomsbury Group associate and lover to quite a few women — the most
famous being, of course, Virginia Woolf. (More after the jump!)
I don't imagine many of you are Dollhouse viewers, not least because the new series by Joss Whedon of Buffy and Angel fame had a rocky ride of a first season. If you gave up on him, I have a new mantra for you: Joss is always worth the trouble. Joss identifies as a feminist, and indeed, before anybody scoffs or points to Buffy's short skirts or what have you, I encourage you to read this.
That said, Dollhouse ain't perfect, on feminist or any other grounds, frankly. I only managed to stick it out through its initial rough patch on faith alone. See, Fox forced Joss to retool the show and rearrange some plot development early on. This led to some awfully confusing early episodes in which the network's desire to sell the show as Sexy! seemed at odds with Joss's own plans. The premise of the show being a brothel staffed by people who have, literally, had personality lobotomies, this isn't just in bad taste - it is bad marketing.