But how shameful is it, how absolutely insane is it, that the major discussion about “standards” for broadcast television today always takes place in the context of “indecency” – and in particular, that women’s bodies are “indecent”? I mean, I don’t know about you, but the only think I found shocking about Janet Jackson’s breast-exposure on live television was that metal thing she had on her nipple. Christ, wouldn’t that hurt?
My point is that I don’t think the half-second or so of nipplage has done nearly as much damage to “the children” (always so undefined) as the notion that crazy people who think Barack Obama is a secret Muslim are deserving of more than two seconds of derisive airtime on cable and network news.
The autumnal equinox is still a few days away (and today is unseasonably warm), but I'm ready to break out the sweaters and hear the leaves crunch under my step. My last mix said hello to summer, so now I'll usher in the next season with these songs that speak to my autumn mood – either through lyrical reference or tone.
In which we explore what Time Magazine dubs "the retrosexual"--when reconnecting via Facebook gives you a second chance to hook up with that hot girl or guy you missed out on in high school, an experience poetically described as springing "from an intense, almost uncontrollable mixture of nostalgia and interest" (and perhaps, horniness).
Also featuring a blatant and revealing overshare about my own retrosexual experience with my high school crush.
You know what's fun about this New York Times article about how the Twilight soundtrack might save the money-hemorrhaging record industry? That it has only one mention of who is most likely to buy tie-in Twilight products.
"Rave On" is the Page Turner series that asks feminist writers, artists, musicians, activists, leaders, and scholars to talk about a book that completely rocked their world. Today we feature writer Mattilda Bernstein Sycamore on the memoir Close to the Knives, by David Wojnarowicz.
In the early '90s, everyone was dying—that's how it felt, it felt like everyone was dying. We were the first generation of queers to grow up knowing that desire meant AIDS meant death, and so it made sense that when we got away from the other death—the one that meant marriage, house in the suburbs, a lifetime of brutality, both interior and exterior, and call this success or keep trying, keep trying for more brutality—it made sense that everyone was dying, because we had only known death.
Queer heroes were dykes, or they were dying—some of the dykes were dying too, but not as fast, unless it was suicide or a cancer they hadn't mentioned, cancer like childhood sometimes you can't say it. So when I found David Wojnarowicz, he was already dead; I didn't find him, I found his words.
Like many a thinking lady I watch the Daily Show mostly for Jon. When it is on hiatus, and it always disappointingly seems to be on hiatus when America goes a little mad in the late summer (2005: Katrina, 2008: Sarah Palin, 2009: Health Care Nonsense), my evenings seem even less magical than they usually are. I am the kind of woman, you see, who would go for Jon - funny, informed, irreverent - over a Brad Pitt in a second. I know I am not alone in this.
But as happens in any relationship, sometimes Jon does things that well... piss me off. See, every once in awhile, his show displays all the symptoms of having been written by Liberal Dudes Who Don't Quite Get It - It usually being women, or women's rights, or women's issues. The show likes to trot out Samantha Bee and Kristen Schaal every once in awhile, but in general it seems rather complacent about its overall dudely tone. And it's easier to take some times than others.
"Today's Made Us Think comment comes from "Elly," who writes in response to Missy Schwartz's interview with Jane Campion,
I suspect a large reason there are so few well-known female filmmakers may be that so many female writers, directors etc. are too focused on the lack of "just for women" entertainment, and so tend to turn out stuff with distinct agendas for distinct female audiences — i.e. the 'empowerment' Campion spoke of — instead of just focusing on making a good product. I see it all the time in books – I rarely read sci-fi or fantasy by female authors, because the story is usually just there as a weak afterthought to help move the rant along, the real point of the book being to obsess over what patriarchal pigs men can be. Case in point: Margaret Atwood.
That's one theory, and it certainly got us thinking. What about you?"
As to be expected, responses in the comments section ranged from ignorant to sound:
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