There's nothing like trying to create a 10-point guide of how not to be a disrespectful immature jerk when dumping someone to make me think of the far more than 10 disrespectful immature jerks who have dumped me. My pain will hopefully be someone else's gain.
United States of Tara, a show about a woman with Dissociative Identity Disorder (DID), recently wrapped up its second season. I haven't yet seen it, but I thoroughly enjoyed the first season—I love Toni Collette and Diablo Cody, and there are not a ton of shows about women by women. There are even less shows set in my home state of Kansas. It's a funny, well-written, and on some levels well-executed show.
But, after rewatching and researching the show's origins and authorship in a critical context, I was perturbed to realize that the show's portrayal of disability was not only sensationalistic, but inherently based on appropriatiion. In United States of Tara, DID is used as a metaphor, an analogy, a plot point—part of the human experience, yes, but also an opportunity to speculate, crack jokes, and make grand statements about Life (normal life: that is, with able privilege) and Being A Woman (an everyday woman: that is, one who is not crazy).
From his anti-Semitic attacks during his 2006 DUI arrest, his homophobic and sexist remarks in interviews, to his racist films, Mel Gibson has long deserved the honor of the Douchebag Decree. The latest allegations against Mel Gibson, though, just might push this super-douche into the hall of shame.
We've mentioned before how Bitch Media, a nonprofit organization, nets only seven cents on each magazine bought at the newsstand. That number is no exaggeration. After we pay to print the issue, ship boxes of it out to wholesalers, pay brokerage fees, and then, finally, pay AGAIN to ship the issues that don't sell on the newsstand back to their final destination of death by recycler or waste incinerator—well, those costs add up
When I stopped being a "girl," and stopped dating "boys," it felt weirder and weirder to be somebody's "girlfriend" or have a "boyfriend." But, man, do people hate having to alter their vocabulary to match your relationship.
In an interview with Salon, Munn says "these women [Jezebel bloggers] sit behind this very thin veil that I can see right through, this idea that 'we stand up for women.' If you stand up for women, then don't bash me." This quote reveals a strict adherence to what I'll call the Palin Feminist Fallacy: the idea that if a woman does something, it is automatically a feminist action. Being "okay" with a sexist remark doesn't mean that it's automatically no longer sexist, and being a female who makes misogynistic jokes doesn't somehow cancel out the misogyny.
Nona Hendryx broke into the music world as one third of legendary group Labelle. Hendryx, Patti LaBelle and Sarah Dash became known for their groundbreaking ability to make glam-funk music, as well as their larger-than-life stage shows and glittery space-aged costumes.
After three gold albums and number-one hit "Lady Marmalade", the band went their separate ways, and Nona Hendryx began to establish herself as an amazingly versatile and creative artist.