Television icon (and feminist favorite) Rue McClanahan passed away this morning at the age of 76. She was best known for her role as Blanche Devereaux on the classic sitcom The Golden Girls (though I probably didn't have to tell you that). Blanche was always my very favorite of the four Golden Girls. I loved her Southern wit and charm and her unabashed sexiness (oh, and I thought her flowing pajama robes were the height of glamor).
Though us feminist TV fans will miss Rue something fierce, she leaves behind a legacy that won't be soon forgotten. She was a pioneer when it came to representations of older women on television, never apologizing for her sexuality or her age. Thank you for being a friend, Rue McClanahan!
Ugh. Family Guy. It's a terrible, terrible show in my opinion. I still watch it regularly, out of long-held habit. But it's just. It's lazy, it's aesthetically not pleasing. It's not very funny. And it's offensive on an consistent, regular basis.
But for some reason, folks really like it, and Seth MacFarlane, its creator, seems particularly proud of it. It's currently in the midst of an Emmy campaign, and it is promoting itself by mocking Precious:
My mind is seemingly always on overdrive. If I don't have constant (over)stimulation, I am not a very fun person to be around. It's not surprising, then, that my taste in music generally reflects my mindset. If you think it sounds like I need to take a chill pill, you're right; and I've found the perfect chill pill in the gorgeous ambient electronic music of Stellar OM Source of Stellar OM Source.
It goes well beyond irony that anyone, after much hard-fought competition, would land an internship on DC's Capitol Hill only to wind up at the center of a sex-and-murder scandal. The Chandra Levy/Gary Condit relationship wound up stealing the majority of the national news cycle when the story broke in May 2001, supplanted as a headline only by the horror and tragedy of 9/11.
In the early '90s–before Goldeneye–I created a silly 'zine called "Judi Dench: Action Hero." In it I presented an alternate universe where Dame Judi Dench was a cheeky action hero in the manner of Bruce Willis or Jason Statham, complete with fake film posters, movie reviews and interviews with the woman herself–fashioned from my vivid imagination and repeat viewings of 84 Charing Cross Road and A Room with a View.
OK folks. We're a little busy here at Bitch HQ today getting ready for our Compromising Positions Forum tonight (you're coming, right?) so it seemed like the perfect time for a Mad World open forum. The prompt: Which ads have actually compelled you to buy something? Or, have you ever purchased something just because you liked the ad?
I'll start. Last week I was at a big box store (OK, it was Target) and I was looking for some body wash. Although several brands were cheaper, and they probably all contain roughly the same ingredients, I went with Dove Cream Oil. Why? Because I like the ad!
"FEMINISTS, WE'RE CALLING YOU! PLEASE REPORT TO THE FRONT DESK!"
It's fucking hard to be feminist. (If you just made a dick joke to yourself then get the heck outta here!) No one said negotiating power was easy, but that doesn't mean that you can't rock out while challenging the status-quo, being politically active and refusing to compromise your principles. Enter Le Tigre, and for fun's sake, let's put 'em on tour!
The men who debased Kat Stacks defined her as a "ho" who had to be "put in her place" by assaulting her into apologizing for her honesty because, according to how society views and treats women who are forthrightly sexual (even when they're honest about getting paid for sex), that's how such women are supposed to be treated. In fact, goes the idea, they deserve such violence. Slut-shaming in extremis.
As The Office is a show about white people and men primarily; it is also a show about size-privileged people primarily. However, its focus on folks of size privilege is not myopic; of the regular cast, Kevin, Phyllis, and Stanley are all visibly fat. Discrimination against their size is not ignored, but portrayed in a responsible and progressive way. Unlike most primetime shows, these characters are nuanced, three-dimensional players with lives independent of and often counter to stereotypes; their fatness is not erased, but instead a value-neutral part of their life.
From the Bitch Library will be used to explore the relationship between libraries and feminism, to profile radical and alternative libraries across the globe, to highlight Bitch library happenings, and to review books and zines that are new to our collection.