"I am naturally fond of adventure, a little ambitious, and a good deal romantic-but patriotism was the true secret of my success."
Sarah Emma Edmonds, one of only about 400 women known to have served in the military during the U.S. Civil War, was not even an American—though she risked life and limb in the name of "patriotism" to serve the Union cause for nearly two years as a soldier, nurse and spy.
There's a great piece in this Sunday's New York Times Book Review by Katie Roiphe regarding the inclusion of sex in novels by American male writers over time. Roiphe argues that it's a generational difference, as writers like John Updike and Philip Roth would be very explicit and close to raunchy in their fictitious encounters, while newer authors like Dave Eggers shy away from racy jaunts and, instead, focus on relationships.
But what interested me the most about this piece was the note Up Front from Roiphe, who said that while male writers are writing less openly about sex, women and gay writers are much more open to experimenting with it now, and how the feminist revolution is largely to thank for some of the change.
I don't know about you, but I see being a stay-at-home parent as a job,
and it's sort of insane that it's one of the few workplaces where you
get on-the-job critiques from total strangers via a talking box. Sure,
you can turn off the TV, but why should you have to?
The time has come for the Transcontinental Disability Choir to say farewell, with a rousing thank you to Bitch for hosting us, and to the Bitch commenters who engaged with our posts and had such interesting thoughts and comments to add.
It's easy to point fingers at narrative television sometimes and claim the writers are foisting outdated and unfair gender roles onto the audience and therefore, by extension, society. Reality TV pokes a lot of holes in the Big Hollywood theory, because the people who thrive on reality TV are the ones who are crafting -- and benefiting -- from a stock trade in stereotypes.
We're sharing our New Year's Bitch Tapes a day early so you can get your 2010 jam on early! For this mix I give you the 10 songs of the decade. These are not the best songs, nor the worst, nor my favorite. They are just solid, memorable, danceable songs—some you will have heard played to death, some you might wonder how you missed their release. I hope you'll listen to the mix, see if you can place yourself in time for each track's debut, and then play it at a holiday party for everyone else to enjoy! Feel free to leave nominations for other include-able tracks (along with the year released!) in the comments section.
No matter what those time/date sticklers who don't think it's over 'til 2011 believe, according to us, tomorrow marks the end of the '00s. And though we'd hate to say "Good riddance" to the decade that brought us a bunch of kickass feminist blogs, a bevy of thought-provoking books, and a multitude of female-focused movies, coming up with a list of positive feminist moments in '00s pop culture was no easy task. As it turns out, there were a lot more not-so-feminist moments this decade than feminist ones. (Too bad we'd already decided we wanted to keep the list positive – We're starting our New Year's resolutions early this year.)
Maybe we are better off saying "Sayonara" to the decade that came in like Britney Spears and went out like Bella Swan, but that doesn't mean the past ten years didn't give us anything to be happy about. So before you get gussied up and head out the door for New Year's Eve, take a minute to celebrate the good feminist times from this decade in pop culture.
I saw Ginger Brooks Takahashi's work in the art auction for the Lesbian Herstory Archive. Although her work spans illustration, multimedia, wall hangings, and music, the themes of sexuality, gender, and community run throughout. (Rabbits also seem to be a motif).
Whether it's her involvement with the Mobilivre Bookmobile, where a super cute a 1959 Airstream Overlander trailer, interior-redecorated as a mini-zine and book arts store toured the country, or Butch in the Bog, a collaboration with Celeste Dupuy-Spencer, it's clear that aesthetic is as important as community building to her. As she told the New York City News Service, "As an artist, I like to create situations for people to come together and to have an encounter."