I have always kind of liked Katherine Heigl. Maybe it's because I think she has pretty good comedic chops, maybe it's because she is (a little bit) curvier than many of her counterparts, maybe it's because I spent an inordinate amount of time watching Grey's Anatomy on DVD whilst trying to distract myself from a breakup. Whatever the reason, my fondness for her has led me to give her decidedly douche-y taste in film roles a pass for some time now. No longer.
Comedy is a prime weapon for devaluing and belittling marginalized bodies. Laughter aimed at an oppressed person because of their oppression intensifies and isolates the victim, and emphasizes their status as an outsider. I don't have to tell you this – if you're interested in feminism, you've probably had these jokes aimed at you and your body. Oppression is a serious topic, and jokes about it must be carefully thought out.
In analyzing comedy shows, how do I differentiate between actions that reinforce the ism at hand, and actions that superficially reinforce but actually subvert or critique the cultural assumptions the characters live with? When is a show making fun of oppression, and when is it making fun of oppressed bodies? Is there a difference? How do you tell?
Now, Ludacris is doing his part to spread more of the large latex love by teaming up with the company for its very first ad campaign, a contest where people can create their own paeans to the brand. The winner gets $5,000 and a trip to the hip-hop festival Birthday Bash, to be held in Atlanta in June, and personal congrats from the rapper/actor himself.
A photograph from Shadi Ghadirian's "Qajar" series.
I planned to write only about Sara Rahbar today, but in researching her and her work I found a few more amazing Iranian artists highlighted in the Saatchi Gallery's 2009 exhibition "Unveiled: New Art From the Middle East". This post will only feature Rahbar and Shadi Ghadirian, but I urge you to check out the work of Shirin Fakhim, Tala Madani, Laleh Khorramian and the other very talented artists from that exhibit.
The other night, I found myself sitting in a concert hall with a thousand other people having an absolutely A+ time at one of the few North American dates on the farewell tour for Euro pop icons a-ha. Yes, a-ha. No matter that I'm not old enough to have fully appreciated their short-lived American heyday (although they've never ceased to be a presence on the other side of the Atlantic) in the mid-80s. I learned about them via the Pop-up Video treatment ( I'm sure there are even readers who are too young to appreciate that show) of "Take on Me" and more seriously, their concert participation in Live 8.
As I sang along with "The Living Daylights" and "The Sun Always Shines on TV," I started thinking about nostalgia. Specifically, Gen Y's relationship to nostalgia. I can't be the only one to see that the proximity of what counts as bygone days has been increasing dramatically in recent years.
HaskinsWatch (TM): bringing you Sarah Haskins news whenever there is any.
There's been a gaping lady-hole (i.e. lack of coverage of women) on CurrentTV's infoMania since Sarah Haskins stopped making "Target Women", but now that lady-hole has been filled by new contributor Erin Gibson with the very similar segment "Modern Lady"! Haskins made the introduction formal by passing down The Golden Tampon to Gibson (which begs the question: why don't I have a giant golden tampon? Etsy, get on this). Videos after the jump!
I like cartoons, and watch several less-than-feminist animated series, but as far as Family Guy goes, I watched my last episode years ago, fed up with its recycled gags and the way it confused political incorrectness with edgy humor (has somone already made the joke "So crass, so old" about Fox's new "So brash, so bold"? Probably?). But the show, and creator Seth MacFarlane's spinoff shows The Cleveland Show and American Dad are, incredibly, still airing. Of course, to sustain the same offensive jokes over the course of three very similar shows and numerous seasons, its creators have to devise punchlines that are equal parts lazy and offensive, and most recently, at the expense of trans women in Sunday's episode, "Quagmire's Dad."