More attractive than tough, the sexually progressive and confident space adventurer, Barbarella was played by Jane Fonda in an eponymous 1968 film. Produced by Dino De Laurentiis and directed by her then-husband, Roger Vadim, the movie was based on the early 1960s erotic comic created by Jean-Claude Forest– who served as a set consultant on the film.
While I love art of all kinds, and especially feminist art of all kinds, I can't actually claim to know all that much about the art world. Sure, I like museums and stuff (and the very fact I am using the phrase "museums and stuff" is probably an indicator of my dearth of knowledge on this topic) but when it came time for me to write this post I felt a little out of my league. If you are like me and find yourself a bit of a novice when it comes to feminist art, fear not. The Elizabeth A. Sackler Center for Feminist Art has a website that is here to help.
"Rave On" is the Page Turner series that asks feminist writers, artists, musicians, activists, leaders, and scholars to talk about a book that completely rocked their world. Today we feature make/shift co-editor and copublisher Jessica Hoffmann on Women, Race, and Class, by Angela Y. Davis. Read on for more!
Damon Linker recently blogged on the New Republic about a "deeply disturbing" Alternet article by Byard Duncan, My First Abortion Party. Linker's response was inspired principally by Conor Friedersdorf's blog on The Atlantic, an excellent response focusing on what Linker called the "neglected aspect of the story"—the "exclusion" of the boyfriend, and generally, a man's role in abortion proceedings.
that Alternet article Duncan describes attending an "abortion party"
hosted by a 22 year-old college senior in Indiana he calls Maggie.
If there's a silver lining to the bizarre arrest of prominent Harvard scholar Henry Louis Gates, it's his newly-inspired interest in exploring and exposing the racism that exists in our nation's prison system. Police arrested Gates this past Thursday after a neighbor saw him trying to push open his jammed front door, assumed (ostensibly because of his skin color) that he was an intruder and reported him accordingly. The event was a reminder of our justice system's tendency to disappear minorities, which is one of the unfortunate consequences of advanced corporate capitalism that deserves to be examined under a microscope by as many brilliant minds as possible (Angela Davis can't do it alone, people!)
Gates says that his arrest was a huge eye opener for him, and he has declared his intent to research and film a documentary that deals with racial profiling. He told the Washington Post that the project will ask, "How are people treated when they are arrested? How does the criminal justice system work? How many black and brown men and poor white men are the victims of police officers who are carrying racist thoughts?" I personally can't wait to see it, but if I could make one small request to Professor Gates, I would ask him to not forget about the women.
I know in my day I've had my fair share of rock star fantasties. It'd be amazing to stand on stage and display your art to the masses. Whether "the masses" encompasses ten of your best friends or hundreds of strangers who want to be your best friend, it must be a glorious feeling to actually make it to the point of making music, and then after that, taking that music on the road. Sara Jaffe and Mia Clarke, of indy ladybands Erase Errata and Electrelane, respectively, recently released The Art of Touring, a photo heavy diary of sorts that chronicles the journeys of the vans of such bands as Times New Viking, Pit Er Pat and Le Tigre. Why does this matter as anything more than a kewl, voyeuristic glance into some of your favorite bands' knapsacks and polaroid collections? Find out after the jump!
Throughout recent history, society at large has stereotyped ladyfolk as demure and pure certainly not interested in The Sex (save for sluts, a shameful variety of the ladyfolk who *gasp* enjoy having sex, sometimes even before or outside of marriage). Well, the female musicians and bands that follow give tired sex-related gender roles a big ol' slap in the face with unabashed lyrics and straight-up badassness.
The Welfare Rights movement of the sixties and seventies rarely receives the amount of historical attention it deserves, and as a grassroots movement that addressed class, race, gender, and consumption issues all at once. Although made up of thousands of women around the country, Johnnie Tillmon was one of the main activists, who rose from a reluctant welfare mother to Executive Director for the National Welfare Rights Organization.