I wonder if there truly is any fate more depressing than ending up as a contestant on Dancing With the Stars. I've only watched the show intermittently over the years—usually under duress, because someone else had laid claim to the remote control—mostly because I get embarrassed for the participants. I hide my eyes when they misstep, and when their smiles falter while the judges offer them harsh criticism, or when I can see the feigned indifference of their shrugs when the scores come up. I'm not claiming to be nicer than anyone who enjoys this show, mind you, but there's a quality to watching it that bothers me, namely the gleeful schadenfreude of watching people cling to fame with expensively manicured hands. After all, I'm not much convinced anyone watches the show for the dancing; it is built on the conceit that the talent can be taught, and well, maybe it can, but I think it isn't likely, for most of us, as late in life as these people are. And in any event, were these "stars" more successful at it, the learning to dance I mean, I suspect the show would be less popular.
The "stars," after all, of the title, are has-beens, and that's no surprise to anyone, it's explicitly part of the show's allure. The show basically winks it at you. And although there's usually, from what I can tell, gender parity among the contestants, it's curious that the people on the show who seem to garner the most derisive commentary, the ones people resent the most as "talentless," are women.
This week on Grey's Anatomy, the training wheels are off and our residents get to put on their attending scrubs, Dr. Yang is asked to step up or step off, and the Grey's docs compete for a million dollar grant, bringing their A-game (and a few things beside) to the Chief. The theme this week is 'growing up' and the Grand Rounds bloggers talk about maturity, recovery from trauma, and a whole lot more...after the fold!
For some reason, there is an outdated notion that women don't like horror movies. The truth is, women don't just like horror—they've been making it for decades, and the genre would not be itself today it if it weren't for the perseverance of women in the industry. Here are three women that made it possible...
I spent two hours standing in line yesterday to hear President Obama and Senator Murray rally the troops for her reelection bid. In the University of Washington's Huskies stadium, there were reminders of the basketball court under our feet, the Democrat's passage of student loan reform, and several rounds of the wave that people do in sports arenas. So imagine my surprise when the AP wire put out a story that today's rally was all about getting women to the polls on November 2. Uh, what?
Dexter is a bit of a so far mess this season, isn't it? I'd watch Michael C. Hall do just about anything—I can never quite get over how different Dexter Morgan is from David Fisher. But one of the problems this show has always had is that each season it sets the bar for intense plotlines a little higher, and as with the fabulousness of last season's twist ending, the writers have usually proved themselves capable of exceeding expectations.
Prison-rights activist and black feminist Angela Davis was arrested forty years ago this month for accomplice to conspiracy, kidnapping, and homicide. Celebrate this iconic woman who has never stopped or been silenced by checking out a new documentary featuring her alongside fellow activist Yuri Kochiyama and a full-length segment on Democracy Now! More after the jump.
"Buzz" is a current art show curated by Hungry Eyeball installed inside Tender Loving Empire, an impressively multi-tasking collective. "Buzz" contains works by five Portland, Oregon based artists: Chelsea Fletcher, Amy Ruppel, Rebecca Artemisa, Kinoko and Wesley Younie. Although it is too late to see Y La Bamba play an intimate show for the opening night (darn it!), it is fortunately not too late to see the art. "Buzz" will be in the Tender Loving Empire gallery until November 2nd. More after the jump!