I spent two hours standing in line yesterday to hear President Obama and Senator Murray rally the troops for her reelection bid. In the University of Washington's Huskies stadium, there were reminders of the basketball court under our feet, the Democrat's passage of student loan reform, and several rounds of the wave that people do in sports arenas. So imagine my surprise when the AP wire put out a story that today's rally was all about getting women to the polls on November 2. Uh, what?
Dexter is a bit of a so far mess this season, isn't it? I'd watch Michael C. Hall do just about anything—I can never quite get over how different Dexter Morgan is from David Fisher. But one of the problems this show has always had is that each season it sets the bar for intense plotlines a little higher, and as with the fabulousness of last season's twist ending, the writers have usually proved themselves capable of exceeding expectations.
Prison-rights activist and black feminist Angela Davis was arrested forty years ago this month for accomplice to conspiracy, kidnapping, and homicide. Celebrate this iconic woman who has never stopped or been silenced by checking out a new documentary featuring her alongside fellow activist Yuri Kochiyama and a full-length segment on Democracy Now! More after the jump.
"Buzz" is a current art show curated by Hungry Eyeball installed inside Tender Loving Empire, an impressively multi-tasking collective. "Buzz" contains works by five Portland, Oregon based artists: Chelsea Fletcher, Amy Ruppel, Rebecca Artemisa, Kinoko and Wesley Younie. Although it is too late to see Y La Bamba play an intimate show for the opening night (darn it!), it is fortunately not too late to see the art. "Buzz" will be in the Tender Loving Empire gallery until November 2nd. More after the jump!
Politicians often promise the electorate, especially at the outsets of their campaigns, not to "go negative" or take pot shots at their opponents. We hear phrases like "issues oriented," "positive campaigning," and "bridging partisan divides." And behind the scenes, no matter the rhetoric, somebody, somewhere, is digging up dirt on the other side. But why? What is the appeal and effect of negative campaigning?
I've been in Austin, Texas for the past week, and the highlight of my hectic live show calendar has been Calliope Musicals, a young, up-and-coming indie country/folk band started by Carrie Fussell and Matt Roth less than a year ago. This is exactly the kind of thing indie fans swoon over: the chance to say we knew them back BEFORE they went mainstream and got picked up by the radio (patooie). So fall in love with them, quick!
Mad Men's fourth season, which finished this past Sunday night, had a dualistic quality, it seemed to me. On the one hand, the season had some of the strongest episodes of the entire series—particularly "The Suitcase," which I wrote about in this space before. On the other, it had easily the worst, most blunt, least moving finale of all four seasons. It also signaled a sort of repetition in storytelling that I think may show that the writers are running out of juice. I'm not sure how many times, for example, I can worry about Sterling Cooper in crisis, or tolerate Don unloading all his familial responsibilities on another wife he'll undoubtedly tire of.
The one consistency, it seemed to me, was that the show had a lot more trouble than usual writing its women this season. Much of the best writing centered around Peggy, which I've covered in past posts here, and who barely appeared in last night's finale, so let's talk about the other female characters.