In the history of family sitcoms, has there ever been a woman so intelligent, so poised, and so willing to deliver impassioned monologues about gender equality as Clair Huxtable?
As a kid watching The Cosby Show -- the only primetime program my parents permitted back in the ‘80s -- I was completely in awe of her. As an adult who’s watched many, many hours of TV since (I do what I want!), I’m more impressed than ever. 20 years after The Cosby Show’s peak, Clair is still more progressive than most of the TV moms who’ve succeeded her.
The interwebs are a-buzzin' with talk of 22-year old Natalie Dylan and her plan to sell her virginity online
to pay for a master's degree. The bidding on the women's studies
major's "maidenhead" (and yes, Fox News called it that in all seriousness) is up to 3.7 million, and the um, transaction, is
set to take place at the Bunny Ranch in Nevada. It seems that people can't wait to ask questions about this situation like, Is this legal?Is the price too high?Can Dylan do this and still call herself a feminist? The blogs and articles go on and on.
Obviously
these are valid questions to ask of this situation. But I think that to
get to the root of this issue the question we should really be asking
ourselves is, Why do we care so much about this in the first place? Is virginity really THAT important? And why is everyone being so creepy about it?
Superhero movies have looked an awful lot like fraternity row the past couple of years, and lotsofbloggers (including this female gazer) have been vigorously calling for more celluloid superheroines. And we're not talking about more characters like Halle Berry's Catwoman. No way. We want some quality super women. But despite the generally underwhelming news on this front as of late, I'm crossing my fingers that the latest casting news about Iron Man 2 might include some promise for all of us.
Last month, rumors started started popping up that super spy Black Widow (Natasha Romanoff) might be appearing in Iron Man 2. Yesterday, Variety reported that Emily Blunt may be a frontrunner for the role, lending a whole lot of credence to earlier conjecture. This is potentially great news, because Black Widow might actually be a female comic book character who filmmakers can't screw up when they bring her to the big screen!
After the jump: a list of reasons why Black Widow might just avoid the pitfalls of shoddy screenwriting and stereotyping that have befallen other superheroines on screen...
My crushometer started beeping like crazy this morning, and for once was notthis guy. Turns out the perp was Aubrey Plaza, who’s sure to appear on many additional love-radars in the upcoming months. Read on for why!
It’s sad to remember how high my hopes were for CW’s 90210 last summer. I love Fox’s original series, Beverly Hills 90210 (though bad dialogue and one-dimensional characters make for a rocky relationship) and I love Rob Thomas (of Veronica Mars), who was supposed to be writing this thing and making it awesome. But he backed out at the last minute to work on stupid Cupid , leaving us with a badly acted, poorly lit, script-challenged mess.
I thought it’d at least be worthwhile to see Shannen Doherty reprise her role as Brenda Walsh, but not even one of my favorite characters ever could keep me watching for more than 3 episodes. I gave it another shot for the sake of research, and what I found out was…it’s still not good. But it had a good moment. You might even call it a feminist moment.
After seeing Bride Wars, it makes some measure of sense that Anne Hathaway would mount such a spirited defense of her role in it. Hathaway is, in fact, the only life that this film has. Hathaway's performance enables her to occasionally lift her character, an altruistic schoolteacher named Emma who gains strength and confidence while fighting for her dream wedding, out of the dull and uninspiring mess of the film around her. But I wouldn't recommend Bride Wars to even the most die-hard Hathaway fan. She's just another victim of this ludicrous and offensive film. More after the jump...