Throughout recent history, society at large has stereotyped ladyfolk as demure and pure certainly not interested in The Sex (save for sluts, a shameful variety of the ladyfolk who *gasp* enjoy having sex, sometimes even before or outside of marriage). Well, the female musicians and bands that follow give tired sex-related gender roles a big ol' slap in the face with unabashed lyrics and straight-up badassness.
The Welfare Rights movement of the sixties and seventies rarely receives the amount of historical attention it deserves, and as a grassroots movement that addressed class, race, gender, and consumption issues all at once. Although made up of thousands of women around the country, Johnnie Tillmon was one of the main activists, who rose from a reluctant welfare mother to Executive Director for the National Welfare Rights Organization.
In 2008, 58 teenage girls published their take on body image, family, politics, and pop culture in the anthology Red: Teenage Girls in America Write on What Fires Up Their Lives Today. Page Turner caught up with five of them to talk about feminism, teen-girl falsehoods, and what's happened in their lives since their essays left off.
I promised that one of the themes we'd be exploring in this blog is bad movies with feminist potential. You see, in my research I've found that some of the most interesting female characters, particularly female action heroes and/or proto-feminists, are to be found in some of the most poorly-produced movies. Considering this, it is perhaps ironic that many better funded action films with A-list actresses have been flops.
Since I've been able to spend a lot of time with popcorn and a notepad, throughout the summer I'll share with you some of the most empowered (if all too often also problematic) women of the best low-budget classics of sci-fi, horror, blaxploitation, and action in a series of Grrrl on Film Cult Movie Posts!
Welcome to "Six Questions," a new Page Turner interview series with authors about their work. Today we talk with Jamaican-born writer, activist, and performance-poet extraordinaire Staceyann Chin about her new memoir, The Other Side of Paradise, a chronicle of Chin's childhood that includes her survival of parental abandonment, poverty, abuse, sexual assault, and her eventual coming out as a lesbian in her deeply homophobic homeland.
Page Turner talked with Chin about lessons of survival, otherness, the writing process, feminism, and her upcoming documentary on her quest to become a mama. Read on for the Q&A!
A landmark federal bill aiming to put $3 million into research and education about postpartum depression is gathering controversy as it heads to the Senate floor. Advocates of the Melanie Blocker-Stokes Postpartum Depression Research and Care Act (known as the Mother's Act) say it will save the lives of women and finally help develop decent education about a long-dismissed female health problem. Critics say it will cause more women to take pharmaceuticals unnecessarily. But recently the big debate has been not so much about the bill itself as media coverage of the bill.
Last week, Time ran an article about the Mother's Act which featured an interview with a mother who was prescribed Zoloft after giving birth. The drug made things worse, causing her to have violent fantasies.
Time's story ignited the ire of many who argue that the article intentionally left out pro-Mothers Act voices to push an editorial agenda.
Keep reading for more details!
Mandy wrote a great post on the upcoming Ms. magazine cover last week that I've been meaning to respond to. First of all, I'm in this issue, so I'm a bit biased to think that y'all will judge the issue based on the cover and will skip the great article on mom blogs. But that cover...
Mandy makes some great points that there are those of Hindu faith that see the use of multi-armed imagery as co-opting their deities. Her post really made me think and consider my own religious blindness. As a recovering Catholic, I tend to ignore religious imagery and how it gets used in pop culture. It's not something that pops up in my head of the many warning signs that set off my alarm. So I appreciate it when I can read something that makes me think, "I'm so ignorant!"
Happy weekend! Happy Feminsit LOLz! At the Bitch Office we're in the final throes of preparing our much-anticipated fall issue! We're totally stoked about the new layout and think you will be too! We know this guy is:
For those of you who saw my previous post you'll know that the 1966 classic camp film, Modesty Blaise, was shown in the early morning hours on AMC. The film, based on the eponymous character of a long-running British comic strip, is of the so bad it's bad variety. But even so, this relatively obscure movie that inspires a love-it-or-hate-it reaction, as well as the enigmatic Modesty Blaise herself, has influenced subsequent gems of popular culture including the visual style of Austin Powers, the origin story of X-Men's Ororo Munroe, and the ass-kicking women of Kill Bill. Modesty was a groundbreaking and progressive character that rivaled the other Spy-Fi icons she was so often compared to, but she remains relatively unknown to the American side of the pond and is increasingly distanced from her native audience.