It was oddly apropos to be mulling over the idea of social bubbles over bubble tea. Totally unplanned, though (as was the choking on a tapioca pearl). A friend and I were discussing the need to stop accepting online culture as the status quo. It's exclusive and exclusionary, with its own language, its own jargon and touchstones and for all of its ubiquity, the culture of the internet isn't universal*, not even amongst our generation. My brother-in-law doesn't have a Facebook account, my former coworkers had no idea what LinkedIn was, people who aren't using it don't give a flying...fig about Twitter and on and on. But if you're immersed in internet culture, it seems like the norm. Everyone blogs! Or comments on message boards. Or knows what a lolcat is, etc. It's not the norm, though. It's a bubble. And given that the topic recently came up again in an online (har, har, har) discussion wherein the majority sided in favor of the supportive power of surrounding oneself with like-minded folks for the sake of encouragement and motivation, I thought I should finally get around to digging out my hatpin and getting to work on breaking down (bursting if you're the punny sort) the idea of the bubble.
Don't let the picture fool you--Sabrina Chap's forlorn album cover of Oompa! doesn't reflect what inside: bouncing rhythms, complex instrumentation, and intelligent lyrics covering everything from heartache to performing femininity.
For the record, I'm not a huge fan of the term "cougar." It demonizes older women by framing them as dangerous predators who prey on younger men, and it has inspired far too many terrible jokes. However, I am also not a fan of Google AdSense's recent decision to refuse service to ads for cougar dating sites. Their reasoning? The concept of an older woman looking to date a younger man is not "family friendly." They will continue to allow "sugar daddy" dating sites to advertise online though, because those are way more kid-appropriate.
Toronto-based filmmaker Deepa Mehta was born in Amritsar, India in 1949. Because her father was a film distributor and theater owner, she was exposed to film at a very early age. She grew up watching commercial Indian cinema, and realized the emotional power of cinema when she was just thirteen.
She went to the University of Delhi, where she received a degree in philosophy. With no formal training in filmmaking, she began her career after graduation when she joined a company making documentaries. She moved to Toronto at the age of 23, where she began to create films that would soon establish her as a talented and controversial filmmaker.
Mehta describes herself as "a citizen filmmaker of the world. Or at least one that has one foot in India and one in Canada." She initially moved to Toronto with plans to move back to India, but ended up staying and becoming a Canadian citizen. Her films, however, are mostly set in India, and they challenge traditional beliefs prevalent in Indian culture. As a result of her controversial subject matter, her films have been fiercely protested by various Hindu fundamentalist groups. Because of this, Mehta is often accompanied by armed bodyguards when traveling in India.
Help us in welcoming a new addition to the Bitch Blogs: an updated and much-improved COMMENTS POLICY! As you know, we've had some issues over the past year with blow ups in the comments section, and our former comments policy just wasn't up to the job.
Oh, and while we're on the subject of blow ups, we've gotten some feedback from our readers recently in regards to comment moderation on this site as well. In the past, our policy has been that the author of any particular post be in charge of moderating her own comments. However, leaving full responsibility of moderating to guest bloggers has proved inadequate when it comes to certain posts and topics, especially when privileged voices dominate threads. Commenters in the past have failed to check their ableist, gender, cis, sexual, and national privilege at the simple math equation required for commenting. It's for this reason that we've decided to update our comments policy and are working on a new flagging system.
Please keep in mind, though, that we have an extremely small web staff (hi, there's just two of us working part-time up in here) and cannot moderate every comment in a timely manner, and we feel it would be irresponsible to set a precedent that we could. We are reevaluating our roles as thread moderators, but we also need to rely on you, Bitch blog readers and commenters, to help maintain a productive environment. In addition to our updated comments policy, we will also be implementing tools in the future to put moderation in your hands as well as ours. Please read the new and improved comments policy, located in our navigation menu under "blogs," and let us know your thoughts!
It should come as no surprise to anyone who's been on the job search in the last two or three years that networking is now being held up as the be all and end all of job hunting strategies. Normally, I simply skim this ubiquitous and rather facile advice (it's on par with Cosmo beauty tips when it comes to regurgitating the same ol' same ol'), but this piece from the Wall Street Journal was effectively the straw that broke the camel's back. I think it was the use of voila. It's a recession, lady. There ain't a whole lotta voila-ing going on, ya dig?
I guess I should have seen it crouching in the corners of the workshop. It lurked in a chat I had with another woman about my recent post on Trojan Magnums and its trading on the Big Black Penis stereotype...
Image: Lost character Kate Austen played by Evangeline Lily
I was going to begin this post with the line "Kate is a divisive character among Lost fans", but I won't, because it's not true. The Lost fan community is, with some exceptions, united against Kate. Very few Lost fans are Kate fans, the way people are Ben fans or Juliet fans or Hurley fans. In fact, many fan discussions are rife with discussions of how much Kate sucks – and I must admit, I occasionally join in.
In a show with plot holes the size of my Hyundai, bad dialogue, and Jack "I'll Fix You Whether You Like It or Not" Shephard, why is Kate often the focal point for the problems of the show among the fan community? Is it poor writing? Misogyny? Disappointment at the Lost opportunity for an amazing strong female character? I talk to The Curvature and Feministe blogger Cara Kulwicki and fellow fans from ontd_Lost to try to figure it out.