OK, we are all pretty up on the concept of advertising at this point. Not to say that ads don't have an effect on us (they do), but when it comes to the reasoning behind most ad campaigns, we savvy media consumers are hip to what's going on. They're trying to sell us something. We get it. So what do we do with ads that let us "in" on the joke?
Truth time for y'all about me: I'm at a point in my identity and activism where in many spaces I no longer feel comfortable just saying that I'm a feminist by itself without adding a few words before or after. I say I'm an Indigenous feminist. I say I'm a hip-hop feminist, a reproductive justice feminist. Like many folks, I feel like I've been burned out by the mainstream usage and representation of feminism and I'm not making any apologies for what I call myself and I will talk more extensively about Indigenous/Native feminisms in another few posts.
However today I came across this blog post today on Girldrive called, "What's wrong with this feminist picture?" which detailed the absence of women of color in all the attention being paid by Newsweek and some other mainstream media to feminism as of late.
No surprise there. Look who controls the media, the power, privilege, etc.
What I did find interesting was that the author stated: "What really gets me is that the majority of young feminist activists do think of feminism in an intersectional way. Just look at the blogger rosters at blogs like Feministing, Feministe, or Racialicious. Just look at the staff at organizations like WIMN or INCITE! or the ladies in Girldrive. Young feminists are trying not to make the same mistake that some Second Wave white feminists made of being blind to race issues. "
It's a long time in coming—Erykah Badu
is finally releasing Amerykah, Part Two (Return of the Ankh)
tomorrow. The album is a followup to the 2008's totally underappreciated
release, New Amerykah, Part One (4th World War). Some of her
best, most unexpected music is on that album. So I'm excited about the
say the least. (more after the jump)
Laura Wershler is Executive Director of Sexual Health Access Alberta. Recently she wrote a critical response for the re:Cycling blog to a study published in the British Medical Journal which reported that 'Women in the UK who have ever used oral contraceptives are less likely to die from any cause, including all cancers and heart disease, compared with never users.' She has previously served on the board for the Planned Parenthood Federation of Canada (now the Canadian Federation for Sexual Health) and is a self-described opponent of menstrual suppression through hormonal birth control and advocate of body literacy. In the second part of this interview she discusses the hows and whys of coming off the Pill.
Hildegard von Bingen was a German Benedictine abbess, magistra, composer, healer and author, one of the first female composers whose works are still intact. In an era where few women were allowed or able to read and write, Hildegard wrote songs, poems, theological texts and medicinal guides and even invented her own alphabet.
It's likely that Hildegard would have been forgotten if she hadn't left such an extensive written record of her thoughts and studies. Nearly 80 of her compositions have survived, along with over a hundred letters to statesmen, emperors, saints and popes. Without her extensive writings, we would know almost nothing about her life, but she didn't even begin writing until a vision she received at the age of 42 instructed her to "write down that which you see and hear."
Laura Wershler is Executive Director of Sexual Health Access Alberta. Recently she wrote a critical response for the re:Cycling blog to a study published in the British Medical Journal which reported that 'Women in the UK who have ever used oral contraceptives are less likely to die from any cause, including all cancers and heart disease, compared with never users.' She has previously served on the board for the Planned Parenthood Federation of Canada (now the Canadian Federation for Sexual Health) and is a self-described opponent of menstrual suppression through hormonal birth control and advocate of body literacy. In this two-part interview, she discusses the gaps she sees in Planned Parenthood services and the rising interest in non-hormonal methods.
When you have a small child, many conversations begin like this:
Another parent – often the expensively-educated New York Times-reading mother of at least one boy –will say, with the air of someone who is imparting a profoundly original thought, "You know, I always thought gender was socially constructed, but gosh, it's just amazing how different boys and girls really are." Her inevitable conclusion? It's all in their intractable little natures.
Alex Chilton, vocalist and founder of Big Star, died last week.
Big Star hardly sold any records during it's brief 3 album stint, but is now recognized as one of the most influential and certainly under appreciated bands of the 1970s. Big Star was crucial in the emergence of alternative and indie rock in the 80's and 90's, and a key influence of pioneering bands like the Bangles and the Replacements.
South by Southwest had a tribute concert for Alex Chilton, which featured almost exclusively male rockers. That's a shame, since Big Star's music has been covered and wonderfully re-arranged by a huge array of musicians.
Here's a broader sampling of Big Star's legacy from BitchTapes...full track list after the fold.
Can'tstoplisteningtoDessa! The only woman in the highly acclaimed underground hip hop collective, Doomtree, Dessa brings a literary beauty to hypnotic rhythms that left me (re)examining the super old and super problematic feminist consensus that hip hop, even what comes from woman artists, is too caught up with rampant sexism to see outside that bubble. Conscious hip hop, thy name is woman!