Even though August showed up faster than product placement on Bravo, summer's not over yet, and you can get your sun on with this sampling of bands bringing back garage and surf rock to a town near you....
Verizon doesn't exactly have a reputation for being an organization that's empowering its users. After all, it is Verizon that's leading the fight against net neutrality, which would amount to an Internet that is basically the opposite of user-friendly. Perhaps that's why they've launched a new ad campaign designed to convince us that, through powerful transmitters, Verizon is on our side in the fight against prejudice. (I know, right?)
You know, I would really like to enjoy Snyder's films. Because they look nice. And also, I enjoy going to the theatre, turning my brain off, and being dazzled. But he keeps on having to throw these wrenches in my brainless enjoyment...
...My heart just cannot take any more films or TV shows (or books or whatever) that try to turn into entertainment our culture's (and many other cultures) long history of locking up people with psychiatric disabilities and subjecting them to horrendous and unimaginable and inhuman conditions, sometimes for their entire lives.
And let's not even get into the fact that Snyder's main character (characters?) is meant to arouse our sympathies simply by being that distillation of all that needs to be protected and cherished: the perfectly petite, panty-wearing blonde virgin. This is a formula that objectifies white women and erases all others, and it's just not going to fly much longer.
As there seems to be a basic lack of understanding of fat acceptance among many readers here, I think it's appropriate to take some time out and illustrate some of what I consider the main lessons taught by the fat positivity and fat acceptance movements. I recognize that Bitch does not regularly deal with issues of size and fatness, so we'll just discuss some key points and then we can go back to talking about fat in pop culture.
Truly transgressive art should make us uncomfortable. It should challenge us. Yet, a lot of supposedly transgressive art is created within very safe boundaries, by creators in positions of power, and it often reinforces harmful social attitudes and beliefs at the same time. People living in marginalized bodies who could produce groundbreaking work are only allowed to enter the pop culture sphere when they conform to certain expectations, and they are well aware that a lot of pop culture consumers will tune them out if they cross the invisible line.
This past spring, Revolutionary Voices, a multicultural queer youth anthology published in 2000, was pulled from the shelves at a Mount Holly, New Jersey high school library. A formal complaint was filed by Beverly Marinelli, a resident of Lumberton, NJ who just happens to belong to a local chapter of Glenn Beck's 9.12 project. Marinelli stated that the book is "pervasively vulgar, obscene, and inappropriate". Following the request to remove the book, a review committee voted to take the book off the shelves at the school library.
Revolutionary Voices, edited by Amy Sonnie, has been described by the Gay, Lesbian and Straight Education Network (GLSEN) as "the first creative resource by and for queer and questioning youth of every color, class, religion, gender and ability". The anthology is comprised of prose, art, letters, diary entries, and performance pieces.
Hooray for the Prop 8 ruling! Sure, we have to wait to see what the Supreme Court says, but in the meantime I thought we could celebrate with a special BitchTapes (the way all important political events should be celebrated, obvs). A mix filled with fun songs about weddings, complete with some same-sex marriage jams! So, without further ado, I now pronounce you feminist and mixtape. (Track list after the jump!)
During the summer of 2007, while on a residency with Modern Fuel Artist Run Centre/The Artel, I worked on an art project with the women in The Isabel MacNeil House (the only low security federal prison for women in Canada). For three weeks I met with the women three times a week to paint and draw with them with the intention to eventually create an animation with their artworks (no cameras are allowed in the facility). The final project was put to the music of "We become our own wolves" by Rae Spoon. Upon completion, there was a screening for the women and each received a copy of the DVD.